Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument or network.
When attracted elements interact they typically join together in a quest for balance, i.e. a formative process leading towards an identifiably collective presence. Together they bring awareness to a new state or field that could be described as being their own. The drive towards expansion through contraction and visa versa is exhibited about the central core of every element adding to its energy and growth of consciousness.
A series of vibratory frequencies (fields) appear to surround every form of substantiation. Forms of energy/light and information attempt to represent their elemental qualities within a unified state of balance and harmony. This process evolves within space/time by virtue of the creation of a field (vortex) about this central focus/core. This is an attractive force (yin). Over the course of evolution every element develops a presence of its own at a level/frequency that expands beyond any one single point of origin.
We have purposely designed these micro elements into certain categories and archetypal patterns for our own convenience. They exemplify how we symbolically interpret and separate the world around us. These innate impressions (archetypes) have been designed, i.e. described, labeled and tagged in response to an objective world. The purpose in support of this effort is to categorize and in a sense individualize, certain kinds of energy based upon a specific vibratory signature. This action has been developed in order to con-form * and contain these vibratory expressions into identifiable patterns of energy, frequencies, configurations, geometries, categories and references, e.g. plasma, aether, bosons, protons, light, dark matter, electrons, matter, anti-matter, quarks, holograms, fields, the unknown, the universe, etc.
We have purposely designed these micro elements into certain categories and archetypal patterns for our own convenience. They exemplify how we symbolically interpret and separate the world around us. These innate impressions (archetypes) have been designed, i.e. described, labeled and tagged in response to an objective world. The purpose in support of this effort is to categorize and in a sense individualize, certain kinds of energy based upon a specific vibratory signature. This action has been developed in order to con-form * and contain these vibratory expressions into identifiable patterns of energy, frequencies, configurations, geometries, categories and references, e.g. plasma, aether, bosons, protons, light, dark matter, electrons, matter, anti-matter, quarks, holograms, fields, the unknown, the universe, etc.
Conscious awareness is compartmentalized in all things felt. Awareness is a derivative of Consciousness - one might call it a spin-off.
There feels to be a multi-dimensional influence infiltrating every dimension of the Universe appearing to expand and contract within a virtual field of energy in motion. Attraction and expansion describe the forces behind change, which is a major principle in all metaphysics. Balancing is an exercise in evolutionary progress based upon experiences gained through conscious awareness.
* conform comply with rules, standards, or laws : • (of a person) behave according to socially acceptable conventions or standards : • be similar in form or type; agree
Each interpretative gesture is significant. Each interpretative gesture is encoded, i.e. designed, within the perceivable constraints of an observable event or experience. The mere attempt to understand, describe and/or define the concept of the observer is key in opening the door to multidimensionality.
Observation implies that there is a conscionable witness to a certain event or experience. In this presentation every observer has been substantiated a priori. An observer may be considered conscious or not. Certain events might be considered and/or interpreted as being observable ... if the observer is identified as conscious. Events that concur within the scope of observation exist only in reference to those points of view that resonate (vibrate) with the signature of the original observer. Every observation triggers the next interpretation, translation and transformative conjecture.
The observer is an integral ingredient in a virtual field in which concepts are observed and contemplated. Concepts are fields appearing to emerge in the form of perturbations within a virtual field of our own design. In essence one concept is comparable to the other. Conceptually both distinctions are considered One in the same.
* conform comply with rules, standards, or laws : • (of a person) behave according to socially acceptable conventions or standards : • be similar in form or type; agree
Each interpretative gesture is significant. Each interpretative gesture is encoded, i.e. designed, within the perceivable constraints of an observable event or experience. The mere attempt to understand, describe and/or define the concept of the observer is key in opening the door to multidimensionality.
The observer is an integral ingredient in a virtual field in which concepts are observed and contemplated. Concepts are fields appearing to emerge in the form of perturbations within a virtual field of our own design. In essence one concept is comparable to the other. Conceptually both distinctions are considered One in the same.
perturbation a deviation of a system, moving object, or process from its regular or normal state or path, caused by an outside influence: • Astronomy a minor deviation in the course of a celestial body, caused by the gravitational attraction of a neighboring body.
Form packages the concepts of space and time into manageable components symbolically connoted to resonate to the needs and desires of the observer. Forms may be purposeful or not. However, every form is meaningful even when not serving a purpose. The fact of the matter is pattern/s exhibited by form may or may not resonate with every observer.
All is vibration. Resonance is key in defining both the observer and that which is being observed. If one is unable to resonate to an event or experience in all likelihood it will be misunderstood ... if it cannot be sensed or strike a comparable tone/vibration it may never be revealed to the observer. The interpretive nature inherent in every event and/or experience is dependent upon its design, which is symbolically contained within the codes and frequencies that give sustenance to the event/object or experience.
Every event appears before a witness/observer. The light, energy and information transmitted between elements vary in degree, relevance and intensity. The participants in this energy exchange can appear before our awareness consciously, subconsciously or both. They can express qualifications that are less or greater than the awareness of the observer. Every circumstance measures the contrasts between the observer and what is being observed. It also describes the level of awareness being exercised during the process.
Consciousness substantiates its self as result of an array of witnesses, observations and elements that have already been coded/designed in space/time. Every event and/or experience leads to the next. Attraction is key to creativity. Consciousness harbors the potential of expanding beyond our senses yet it has also been demonstrated as being a measurable event. + If you have any questions concerning this hypothesis merely look into the mirror. Consciousness and therefore the "idea" of what might be considered the observer, permeates every field and in like kind, symbolizes the observer (source) observing its self by means of a designed event/experience.
+
https://knowingneurons.com/2018/08/01/measuring-consciousness/
Every event along with the observer of that event, has a meaning and a purpose. Both can also appear as a holographic expression, i.e. a variety of patterned vibrational frequencies bridging the regions/dimensions of space/time as either a particle (Yin) or wave (Yang).
Data appearing as result of this phenomenon (observation) can also be registered/sensed through artificial means. The definition of there being an observer/observation must consider the context in which the "observation" is made. + The context in which an event or experience is observed is essential in the coding/transmission and transformation of energy patterned and communicated about a particular frequency. It is key in determining if the focus surrounding a creative/desired outcome or gesture harbors the opportunity to affect the observer.
The context in which an observation is made likewise helps identify, focus, distinguish and specifically point out a particular impression from a multitude of qualities that can similarly "substantiate" the concept of wholeness. Every interpretation stems from a particular point of view. Every POV is reliant upon an observer . Every POV applies its own context and frame of reference as with every event being simply described, observed and/or experienced.
** consubstantial: of the same substance or essence
This attraction creates a point of focus about which the concept of a field emerges. Based upon focus and/or intent, a field will be construed/created/generated about the perimeter of an element-in-motion (e-motion), a spiraling force or motion that in turn affects elements/agents within its contextual "space" and/or range of influence. Every element is in motion. Every element can be construed as a vector and through collaboration with other elements/agents, create a significant reference point/s both within and beyond its own central position. (refer to the concept of a point as the beginning of a sacred geometry)
Due to these other "referential positions/elements/agents" the concept of a field might be better described in the form of a contextual reference in which reflections of its own presence (elements) appear as vibratory projections cast out and "observed" from a central POINT of view, i.e. essence. Together these vibratory thrusts into the unknown (yang) transform themselves through an urge towards unification (yin) brought on and encouraged by the context in which they are observed.
That which is hurled into the unknown is trapped within the gravity of its own toroidal essence and re-sources The field harnesses the concept of duality by means of recognition/awareness. It is an observation that is made apparent by virtue of the reflection, i.e. interpretations being illuminated by means of the reflections upon mirroring surfaces of form. Form complements the expansion and contraction of this awareness by design. The concept of form actively participates in the conscious awareness of its source by virtue of its contribution to the qualities, character and shape of the spiral.
construe verb ( -strues , -strued , -struing ) [ trans. ] (often be construed)
interpret (a word or action) in a particular way : • dated analyze the syntax of (a text, sentence, or word) : • dated translate (a passage or author) word for word, typically aloud.
Energy conforms to the impulses of a force, i.e. vector. Forms also take on the qualities of the field in which they are observed. Forms of energy are characterized by virtue of the elements that together create and reflect upon the geometry (blueprint) ingrained within the signature of the observer. So minute are some of these relationships that the concept of time, which is designed to check the system seems to stand still.
The closer the observer's position (POV) in reference to its source the less vibration, the calmer the field, the more intense the energy. The lower the frequency the more measurable, observable, substantial and material the observation. Humanity is ill prepared to comprehend the multitude of frequencies that exist beyond our physical senses. The concept of there being a higher mind, i.e. framework/field meant for observation (POV) rests upon certain designs (languages) that can bring balance to the senses. Greater awareness is the result of many experiences cast upon a wide spectrum of energy patterns that likewise substantiate our own POV, i.e. toroid field of consciousness.
Awareness might be considered a consubstantial event in the form of an emergence of energy that likewise contains the elements, patterns and geometries of a much more resourceful field of energy that surrounds it.
Humanity might be identified as the comprehensive reflection of a source made manifest/apparent within the dimensional constraints of a specific range/field of vibration, i.e. dimension.
Humanity is made aware of its self by means of the knowledge of opposites (duality). This range of awareness identifies humanity as a participant, or observer from an elemental point of view. This POV has often been described as having a position within a range of good and evil, light and dark. Humanity is made conscious, known and therefore capable of observing itself in 3D space/time by means of a virtual spectrum aka an electro magnetic field. When compared to many other contexts, this field re-presents a small spectrum of energy in the form of LIGHT, i.e. a field/presence that reaches beyond the current boundaries of the imagination.
Humanity like many other constituents of the universe, is product of an evolutionary process, an expression made self aware within and beyond the boundaries of relative time and space. Humanities field of observation include a wide variety of dimensions/spectrums and frameworks integrated within a more expansive understanding and comprehension of LIGHT. Humanity contributes to the principle of dualism, a requirement of every form of conscious expression finding recognition and pursuing growth in reference to universal space/time. Humanity harbors the potential of contributing to a greater consciousness from within the very field from which it emerged and is evolving. Our world appears to move at a rapid pace due simply to humanities perspective/POV, i.e. interpretation of space and time. What appears to be an instantaneous event is merely a timely observation taken from a particular POV.
Time is relative. Time is a human construct designed to give every description of reality a reference point (POV) for purposes of expansion and contraction while riding the oceanic waves of consciousness. These points of reference find location within the linear definition of time, i.e. past, present and future. These locations are determined by the observer and viewed specifically from a human POV. Every observation made in reference to linear time likewise alters it. This becomes vividly apparent when observing every event moment to moment.
Our concept of reality changes due to the symbolic impact attached to the impressions and interpretations we project upon every event and/or experience. What changes is the context in which an event or experience takes place, even if that event has been repeated over and over. In that moment time and space describe, define and recognize what that position is within your ocean of consciousness. Change describes the nature of every reality by virtue of the context in which it is observed/witnessed. The symbolic impressions that lie dormant within the quantum network of human interpretation and observation are direct contributors to the multidimensional potentiality inherent in every series of events and experiences.
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Every event and experience is linked and will momentarily remain so until viewed from an opposing position/POV. Every impression is symbolic in its nature to present to every observer a choice of directions dependent upon symbolic resonance. This is the basis for what has been described as entanglement. Humanity's consciousness is harbored in its physical, mental, emotional, spiritual and dendrite like field of potential pathways confined within a particular state of memory. Each memory harbors its own reference point, i.e. an elemental POV that can be found within a subjective time frame/field of conscious awareness.
Various states of being, i.e. presence, create the ever-changing framework we interpret, perceive and label as consciousness. We conform, i.e. resonate, to these impressions along with their vector-like forces by virtue of a field of consciousness we ourselves are experiencing. Together they create a centered focus of consciousness that together surround us in the form of a feeling of our own creation. This projected system, based upon our own personal observation, is based upon symbolic origins of a Universal nature. Each interpretative POV centers about our current position/POV, which is in itself a momentous **** event. We've all come to recognize and accepted this awareness in a subconscious instant ... if we choose to do so. Its time to realize that your current POV/position will change before you finish reading this sentence ... if you allow it.
****momentous adjective (of a decision, event, or change) of great importance or significance, esp. in its bearing on the future :
There are many different paths (timelines) to which we are attracted. Design focuses upon the law of attraction. Design is contained within the contextual desires re-presented in every form of energy. Designs are made complete by means of the consistencies/resonances that are attracted to the vibratory signatures that complement every "form". Paths of interest enhance those particular frequencies that resonate to the desires/impetus symbolically re-presented in the blueprint/pattern/geometries supporting every form of energy. Every cooperative gesture strengthens its matrix both microcosmically and macrocosmically.
The forces of Life are made vividly apparent in all that contributes to the expansion and contraction of its energy field. Energy is electrically determined and magnetically attracted to every element/network that contributes to its formation in space/time. Energy attempts to unify patterned networks of dimensional expression and appears to be likewise repulsed by that which doesn't complement its own designs. This theory is clearly illustrated in humanities search for a sense of freedom that can only be realized by means of expressing into form the highest virtues of self-awareness.
****momentous adjective (of a decision, event, or change) of great importance or significance, esp. in its bearing on the future :
There are many different paths (timelines) to which we are attracted. Design focuses upon the law of attraction. Design is contained within the contextual desires re-presented in every form of energy. Designs are made complete by means of the consistencies/resonances that are attracted to the vibratory signatures that complement every "form". Paths of interest enhance those particular frequencies that resonate to the desires/impetus symbolically re-presented in the blueprint/pattern/geometries supporting every form of energy. Every cooperative gesture strengthens its matrix both microcosmically and macrocosmically.
The forces of Life are made vividly apparent in all that contributes to the expansion and contraction of its energy field. Energy is electrically determined and magnetically attracted to every element/network that contributes to its formation in space/time. Energy attempts to unify patterned networks of dimensional expression and appears to be likewise repulsed by that which doesn't complement its own designs. This theory is clearly illustrated in humanities search for a sense of freedom that can only be realized by means of expressing into form the highest virtues of self-awareness.
The idea of there being an original “source” is implied by virtue of the motion and actions seemingly taken by every element we are aware of. This awareness is shared and made apparent by means of an interpretive nature that is shared by all humanity. Human kind acts in conjunction with other elemental contributors within the field of the planet that together participate to the relative "form" of the solar system, galaxy, universe, cosmos. Understand that there are forms of energy that rest beyond the electromagnetic range of human perception. Some of these patterns of energy have already been measured other have not. Together these spiraling yet ever changing forms of energy, contribute to the relevant patterns of what might be considered a conceptual field, i.e. a geometric network that orbits about its own conceptual “point of reference”, i.e. center/source. Scientifically these primitive points of reference have been described as bosons, + i.e. elements that can change into fermions and back into bosons again based upon the observer and the context in which an event is perceived.
+
+
In reference to time there may arrive an instant when the forces of attraction can no longer sustain the external forces that compose its contextual expression in reference to space. The original field of desire and expression becomes weighted,
thickened, heavy and dense. Wavelengths become elongated and extend far beyond the patterns in support of the original idea. Contrasts emerge and are metaphorically hardened into what appears to be a contextual arrangement viewed in the form of opposing forces. Patterns of elemental focus appear to emerge from within
the depths of an invisible context. Gradually contextual forces impose their increasing influence upon elemental agents and patterns of unification until the conceptual references in which a life form has once been observed and recognized appears to become more and more distorted.
The greater the time and further the distance away from the initial central point/POV, i.e. idea, the greater the possibility for error and distortion upon manifestation. The unknown is merely a validation of the vast differences between dimensions. Awareness is the universal tool of every Design.
The context over time and space can overwhelm and thereby confuse the observer of an awareness of his/her own created events. Points of view become distorted and an internal reboot is required. Substance taking form in an objective world over time can appear to be the original and no longer harbor the symbolic and referential power present at its birth.
When in doubt first look into its context.
From a human perspective these new geometric forms of energy in motion surface as ideas being born from a newly emerging consubstantial event. This event can be felt and eventually observed within the framework of time from a referential point/center within the field of its own creation/expression. What lies beyond and within the grips of an objective world, are typically the remnants of every original idea/imagining found in the format of a momentous pulsation. These are the ideas/formations that can no longer support the concepts that have been intentionally proposed in reference to a more magnanimous/benevolent/noble design. Such ideas fall whim to the context/dimension in which they are initiated.
From a human perspective these new geometric forms of energy in motion surface as ideas being born from a newly emerging consubstantial event. This event can be felt and eventually observed within the framework of time from a referential point/center within the field of its own creation/expression. What lies beyond and within the grips of an objective world, are typically the remnants of every original idea/imagining found in the format of a momentous pulsation. These are the ideas/formations that can no longer support the concepts that have been intentionally proposed in reference to a more magnanimous/benevolent/noble design. Such ideas fall whim to the context/dimension in which they are initiated.
Human
consciousness is a fabricator, i.e. initiator/creator, of a series of perceivable events appearing within the dimensional parameters of 3D space/time. Cyclical time and malleable space, i.e. 3D space/time, likewise helps identify and define differences between dimensions. An observer witnesses the concept of reality/events/experiences appearing within his/her sphere of consciousness symbolically ... whether the observer is aware of it or not. An objective world attempts
to illustrate, teach and describe the origin and evolution of the creative process. Examples of these events are re-presented symbolically and metaphorically.
The original field in which these transitions occur begins to materialize by virtue of the forces of attraction made apparent by means of concentration/focus/desire. Physical resistance is made apparent in the form of friction and stress. Transformation and materialization is the result of external (contextual) resistance along with internal concentration. Creativity hovers about the center of this process in search for balance.
The original field in which these transitions occur begins to materialize by virtue of the forces of attraction made apparent by means of concentration/focus/desire. Physical resistance is made apparent in the form of friction and stress. Transformation and materialization is the result of external (contextual) resistance along with internal concentration. Creativity hovers about the center of this process in search for balance.
Frictional
resistance causes repulsion, i.e. duality. Further repulsion causes
fragmentation. Fragmentation in turn circumscribes past achievement (progress)
into new and different (wave) forms of energy. These new wave patterns
(vibrations) become creative agents/forces in their own right. Growth, expansion and reformation become requirements for further balance and harmony. Every creative gesture is a
potential re-source for further acts of consubstantiality, expansion and
materialization.
The
metaphor of the universe being like the ocean communicates to the imagination that the field of Life is a wave generator, multi layered, somewhat measurable and for the most part
unpredictable. The ocean is constantly changing. In 3D space/time this analogy requires the qualities to be taken
into consideration when considering the idea that we live in a virtual world.
The context may be known and measurable however, it also represents a state/context that is in perpetual flux. The “source” of all change reaches beyond predictability. Such a state embraces potentiality, but is far from predictable unless purposely transfigured by a geometry generated by focused intention.
The context may be known and measurable however, it also represents a state/context that is in perpetual flux. The “source” of all change reaches beyond predictability. Such a state embraces potentiality, but is far from predictable unless purposely transfigured by a geometry generated by focused intention.
Many terms have been used to describe the universe by many observers. I
propose to describe the universe to be a virtual ocean***** in which we perform as an aspect/quality of its own designs. The universe will always be exactly as we perceive, describe and define it. The universe is the product of our own creative imagination because by virtue of our own designs, we afford it a relevance all our own.
*****virtual adjective, almost or nearly as described, but not
completely or according to strict definition : • Computing not physically existing as such but made by software to appear
to do so: See also virtual reality. • Optics relating to the points at which rays would meet if produced
backward. • Physics denoting particles or interactions with extremely short
lifetimes and (owing to the uncertainty principle) indefinitely great energies,
postulated as intermediates in some processes.
The universe can be observed and interpreted in many ways. The universe has been described in
terms of elements, agents, plasma, fractals, holograms, known and unknown forces, geometries, substances, electricity,
bosons, electric and magnetic fields, light, energy information, systems of gods, angels,
demons, etc. Every attempt to describe the universe falls victim to the contextual, symbolic and procedural constraints in which it is perceived, interpreted and/or described.
* * *
Design describes the universe in terms of symbol and metaphor where every event, form and
experience is referenced within a network of awareness/consciousness we create, observe and participate.
Design describes a referential and symbolic internalization process where the universe is symbolically represented in reference to a network of potential (concepts) and ideas (probability (ideas). we inscribe and prescribe as being real.
There lies a different quality and feeling in every concept of reality. We are participants and co-creators of an immeasurable network of energy in motion merely by being purposely and meaningfully engaged - consciously, unconsciously and subconsciously. We are all designers.
inscribe: address, name, sign
prescribe: stipulate, dictate, specify, determine, establish, appoint, order, require, make provision for, decree, ordain, pronounce, command, enjoin.
* * *
Vibrations
appear in many assorted frequencies and amplitudes. The universe is infinitely
divided into a vast array of frequencies/amplitudes that go beyond the
constraints of our human senses/awareness - enter density***
****density noun, the degree of compactness of a
substance
The brain emits a range of vibrations/frequencies as does the heart + These measurable events attempt to describe the function of the brain. They likewise help qualify certain characteristics that might reveal insights into the concept of consciousness. Apparently there is an active relationship between the brain and any ideas that surround the concept of mind. There appear to be certain traits/qualities between the mind/brain and what we describe as our emotions.
+
Emotion appears before our consciousness in the form of feelings. Our emotions are felt and have been closely affiliated with our heart. Our mind has been affiliated with our brain. Both can be felt. Together they send forth/create what we believe as being our feelings. Together they describe how we think and emotionally respond to an event or experience. Our feelings seem to package the relationship, i.e. position/ POV, between our mind and our emotions. Together they emit a particularly unique vibration. How we perceive/observe a certain situation will also indicate any change in the relationship based upon our POV. Together they sustain our particular POV. These impressions are contained, observed and measured by a variety of devices that resonate within our biological makeup and identity.
https://sacredgeometryinternational.com/the-meaning-of-sacred-geometry-ii-whats-the-point/
How substantial is this relationship? At what point does the density surrounding a situation change your feelings about it? Is the change in your POV mental or emotional? Your impressions are imaginary and appear to be the only way in which you ascertain your current position. It is a designed situation, a three dimensional formalization giving structure and shape to your own realizations/interpretations of what your experiencing in the moment. Change either quantity (mind/emotion) changes your feeling, expands your conscious network and allows you to grow. It alters your density. This is the meaning and purpose, i.e. the design, that embraces and sustains the importance of being the observer.
How substantial is this relationship? At what point does the density surrounding a situation change your feelings about it? Is the change in your POV mental or emotional? Your impressions are imaginary and appear to be the only way in which you ascertain your current position. It is a designed situation, a three dimensional formalization giving structure and shape to your own realizations/interpretations of what your experiencing in the moment. Change either quantity (mind/emotion) changes your feeling, expands your conscious network and allows you to grow. It alters your density. This is the meaning and purpose, i.e. the design, that embraces and sustains the importance of being the observer.
Every
interpretation is based upon a range of forms that appear to be originating from a virtual source we describe as the universe. These forms of density are made cognizant by
means of a vibratory spectrum which include mental, emotional and physical attributes and beyond, i.e. spiritual. Each impression/force intimately describes the unique character and quality of a universe of energy-in-motion.
I am of the opinion that even the densest “substance” in the universe
is virtual in essence, quality and character. For lack of any other objective way in which to describe our circumstance, the universe is quantum in scale and potential. Being virtual supports
adaptability, simplicity and instantaneous response to change. Any definition of the universe is a momentous task, a design challenge that can only be revealed from within. Likened to every observer that perceives 3D space/time, all that is virtual must cancel its self out of the equation (0+0=0, 0-0=0) while still remaining a part of it. Every quantity therefore remains/becomes an integral part of an equation founded upon its own unique point of view. This phenomenon is metaphysical in essence that is being reflected within/upon a context that has no substance as we might try to comprehend it. The universe might then be interpreted as an infinite series of 0's that by projecting its self (position/POV) it creates the vortex within which it can eventually "collect itself". The return journey creates the objective field of observation and potential for expansion ... all of which emerging from what once was of NO/0 consequence, meaning and purpose. How might one measure such an event? Ask yourself because you are doing it now. Its best to experience the universe because you/we are integral parts of its virtual wholeness.
Simulation by means of a
symbolic re-presentation and interpretation of a virtual reality is the
keystone in creating, representing, understanding and designing the most finite
building blocks of the universe.
Plasma,
bosons, electricity and the like describe similar universal characteristics and
like the virtual worlds that overlap us every day, are dependent upon the
context in which they are observed. The fact that there exists a mental,
emotional, physical and yes “spiritual” type of waveform merely supports the concept that we participate/inhabit a multidimensional field of assorted density.
The
concept of plasma is simply a symbolic interpretation of a virtual realm in
which the universe acts and responds in a certain manner in reference to
change. The concept of form is a matter of density. Form will bring reference
to the ratio between the seen and the unseen, the range in which certain
elements, objects, events and experiences appear within a spectrum of meaning
and purpose. We live in a virtually designed universe harboring a signature of its/our own.
* * *
Adam Santoro*,1, Andrew Lampinen*,1, Kory W. Mathewson1 , Timothy Lillicrap1 and David Raposo1 *Equal contributions, 1DeepMind
* * *
In reference to Design and Design Consciousness, the quantum field of virtual potential and probability (QFVPP) might best be described as a mutable and malleable photonic aether. At much denser levels of observation such aethers will appear as a field of vibrating and at times oscillating, electro-magnetic plasma.
As such, the concept of Light is abstract, relative and yet the “substance” in which dimensions are hewn, constructed, formed and made relatively manifest (holographic). A designer must be wise, accomplished and well skilled in the tools she/he has symbolically created in desire to bring one’s dream to fruition.
"To believe is to accept another's truth.
To know is your own creation."
Anonymous
To be design conscious you must be more than an observer.
* * *
Edited: 09.12.2018, 09.18.2018, 01.22.2019, 01.26.2019, 07.17.2019, 08.09.2019, 08.12.2019, 08.27.2019, 10.28.2019, 12.14.2019, 03.06.2020, 03.30.2020. 04.05.2020, 04.15.2020, 07.24.2020, 09.13.2020, 02.20.2021, 04.02.2021, 01.01.2022, 03.15.2022, 12.05.2022, 04.10.2023, 04.29.2023, 07.02.2023, 08.18.2023, 09.15.2023, 09.22.2023, 01.17.2024, 04.26.2024
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