Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Linear, cyclical, conceptual and always in motion, does time have a beginning, or is it an endless constant - a vague, mysterious and virtual thought form avoiding all attempts to define it? Or is time a figurative idea stemming from the human imagination, created for the purposes of embracing every literal overtone that symbolically re-presents it.
overtone 1 a musical tone which is a part of the harmonic series above a fundamental note, and may be heard with it. • Physics a component of any oscillation whose frequency is an integral multiple of the fundamental frequency. 2 (often overtones) a subtle or subsidiary quality, implication, or connotation:
Complex situations require metaphorical investigation through symbolic representation, both of which personify a variety of attributes harbored within the process of abductive/design thinking. It is upon this premise that the following inquiry is based.
Time describes a cyclical re-presentation of energy in motion. With time comes change in motion. The concept of time creates a focus about which energy can be contained in three-dimensional space. Time "lines" bring forward a variety of options for every observer to choose. Every choice in every moment will influence the next step in a design blueprint filled with options. Repeating past actions, thoughts and feelings create patterns of energy that "in time" become imprinted, ingrained into consciousness.
Time is energy. Time travels about a cyclical path creating the framework essential to the paradigm of three-dimensional consciousness. Within the framework of three-dimensional space and time, time becomes a thing by virtue of its presence (meaning and purpose).
presencenoun 1 existence, being there. ANTONYMS absence.2 Attendance, appearance; company, companionship. ANTONYMS absence.3 aura, charisma, (strength/force of) personality; poise, self-assurance, self-confidence.4 ghost, spirit, specter, phantom, apparition, supernatural being;
Time embraces change by creating a format in which change can be formulated, articulated and realized. Time is best re-presented in the shape of a circle. A circular clock face alludes to a "reality designed within the parameters of a cyclical framework" and that it is within this system that human consciousness must function. A circular clock is a perfect metaphor by reinforcing this phenomenon in forms of shape, number, division and categorization.
Time has been humanly designed in reference to natural events and experiences framed within the constraints of human observation.
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Electromagnetism is a property of spacetime itself, study finds by Jussi Lindgren and Jukia Liukkonen, July 23, 2021, Science X
“In particular, our research shows how electromagnetism is an inherent property of spacetime itself. In a way, spacetime itself is therefore the aether. Electric and magnetic fields represent certain local tensions or twists in the spacetime fabric.
John Wheeler, the famous physicist, put forward the idea that all of the material world is constructed from the geometry of the spacetime. Our research strongly supports this kind of natural philosophy. It means that the material world always corresponds to some geometric structures of spacetime. Tensions in spacetime manifest themselves as electric and magnetic fields. Moreover, electric charge relates to some compressibility properties of spacetime. Electric current seems to be a re-balancing object, which transports charge in order to keep the spacetime manifold Ricci-flat. This is aesthetically pleasing, as nature seems to strive for harmony, efficiency and simplicity.”
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These observations have both a meaning and a purpose made in reference to all seen and unseen forces. Time's impressions are made apparent by means of a coherent resonance. Time like space, creates a symbolic framework for the manifestation of energy in motion. Each frame contributes to a design made apparent by pointing, directing and patterning energy towards its most appropriate form (space) at its most appropriate time. When revealed before a design conscious human observer every "form of energy in motion" is tangible and intangible, conceptual, symbolic and metaphoric both in content and context.
“Time cannot be forced into pigeonholes. Time has grown wings and takes flight into unfamiliar patterns. The sextants of humanity demand that time fly in a direction that makes sense. All sensors of Earth – smell, taste, touch, feel – are changing values. Do not take them for granted, and do not trust them fully. As what once was written in stone as truth, has now shifted in agenda.”
Gillian MacBeth Louthan www.thequantumawakening.com
To be design conscious you must be more than an observer.
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This passage presents a deep, philosophical exploration of the nature of time, energy, and human perception. To refine and expand on specific themes, I'll break down key aspects and build on them to deepen the meaning, clarify the concepts, and enhance the metaphors.
1. Time as a Conceptual and Abstract Entity
The opening question about whether time has a beginning or is an "endless constant" positions time as both a physical and metaphysical concept. To refine this, we can explore how time exists in different dimensions of thought:
• Time as an Abstract Entity: Time may not be an objective, measurable reality but rather a construct shaped by human perception. It's not just a linear progression from one moment to the next but a conceptual framework for organizing experience. While in physics, time is often seen as a dimension of spacetime, philosophically, it’s much harder to define. It escapes clear categorization because it is always in motion, ever-changing, and self-referential.
• Time and Consciousness: Time, when observed through the lens of human consciousness, is not an absolute force but a subjective experience. It is continuously shaped by individual perception, emotion, and thought. As we age or reflect on life, our experience of time shifts—sometimes it feels like it flies, other times it drags. This illustrates that time, much like a thought form, adapts according to the observer's internal state.
2. Time as Cyclical, Energy in Motion
The passage states that "time describes a cyclical re-presentation of energy in motion," linking time with change, motion, and patterns. To deepen this, let's consider:
• Cyclic Nature of Time: Many natural cycles—day and night, seasons, life and death—suggest time’s recurrence. The clock face, symbolizing this cyclical movement, acts as a metaphor for universal rhythm. Time is not just linear but inherently recursive. This cyclical nature mirrors the energy flow of the cosmos, from atomic oscillations to planetary orbits. Within these cycles, time isn’t just something measured; it’s an ongoing process of transformation.
• Energy in Motion: Time could be seen as the framework in which energy manifests and evolves. Each "moment" of time holds the potential for change, a turning point in which energy shifts form, creating new experiences and outcomes. This could be further expanded by exploring how energy patterns imprinted over time create personal and collective histories—shaping cultures, societies, and even human evolution.
3. Human Perception of Time: The Observer and the Context
The text highlights that the observer plays a crucial role in how time is interpreted. Expanding on this theme:
• Time as a Human Construct: Time is deeply entwined with human experience. It is not merely a feature of the natural world but something that humanity has conceptualized and categorized. The calendar, the clock, and even the very notion of "the past," "present," and "future" are constructs that reflect how humans attempt to make sense of time. These constructs serve to organize the seemingly chaotic flow of life into manageable segments, creating meaning and purpose from the continuous flux of existence.
• Cultural and Contextual Frameworks: Different cultures perceive and organize time in varying ways, which suggests that time is a relational experience. The Western model of time, with its linear progression and emphasis on productivity, contrasts with more cyclical or relational models found in other traditions. These frameworks influence how individuals experience events, success, and failure—ultimately shaping their psychological and emotional response to life's unfolding.
4. The Role of Time in Design and Creation
The passage introduces an interesting connection between time and design thinking. Time is seen as integral to the process of creating and understanding:
• Time and Design Thinking: In the context of creative or design thinking, time serves as both a constraint and a resource. Design, by its nature, requires an awareness of past actions and an anticipation of future consequences. Each decision made within the constraints of time contributes to a larger pattern or framework. The process of designing is, in a sense, an interaction with time, where ideas are developed, refined, and manifested within specific timeframes. Time, thus, becomes the environment in which design takes place.
• Temporal Imprints on Consciousness:
The idea that "repeating past actions, thoughts, and feelings create patterns of energy" is an exploration of how time imprints itself on human consciousness. Habits, routines, and personal histories all mark time’s passage. These imprints influence future actions and thoughts. Every moment is not just an isolated instance but part of a larger network of energy patterns that persist through time.
5. The Metaphor of the Clock and Circularity
The clock, as a symbol of time, is a powerful metaphor throughout the text. To refine this metaphor:
• The Clock as a Symbol of Control and Limitation:
The circular clock face emphasizes the bounded, finite nature of time. In a way, it represents the structure within which human consciousness operates. The divisions of time—hours, minutes, and seconds—demarcate the framework of existence, creating boundaries that allow us to navigate the endless stream of experience. However, this framework is not restrictive but rather offers a way to understand, control, and organize life.
• Circularity and the Universe: A circle, especially as a representation of time, invokes a sense of unity and continuity. It suggests that while the moments of time may pass, the essence of time itself is without beginning or end. The cyclical nature of time, as represented by the clock face, also speaks to the interconnectedness of all things. Every cycle in time is linked to the larger cycles of the universe, from planetary movements to the cycles of birth and death. This reinforces the idea that, in the grand scheme, everything is part of a greater, eternal flow.
Conclusion
In refining and expanding these themes, we can see that time, while often seen as a linear progression, is more accurately understood as a cyclical, dynamic process that is deeply interwoven with human consciousness and experience. Time is not just a measurement of change; it is the very fabric through which change is realized, understood, and manifested. Human perception, history, and even creativity are shaped by the framework of time, and in turn, our understanding of time shapes how we interact with the world and the universe at large. Time is both an ever-present constant and a metaphorical representation of the human experience—a tool for navigation in the boundless flow of energy and motion.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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