"Quite clearly, our task is predominantly metaphysical, for it is how to get all of humanity to educate itself swiftly enough to generate spontaneous social behaviors that will avoid extinction."
R. Buckminster Fuller
Conceptual impressions surrounding this post are yet to be
substantiated, corroborated, confirmed or woven into a larger argument, context or
network.
Begin within the quantum field of virtual potential and probability (QFVPP).
What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
It must be noted that the concept of "linearity" has no bounds or limitations concerning its "length". Meaning, examples of the shortest unit of measurement, i.e. the Planck Length, can still exhibit the characteristics of a linear projection as described above. Linear forces may be a foot, a mile or a thousand light years long, they all possess the same potential for the generation and re-generation of a multitude of formations about the concepts of energy in motion (see Birkeland currents). Instrumental to the success of these toroidal forms are fields of relative "matter", e.g. molecular, atomic, plasmic, ethereal, etc. that together create the "context" in which these events occur. Typically these grosser fields of energy are attracted to the vibrations/waves of the winding vectors surrounding the electric stream/charge. This relationship is fundamental to the creative drive to formulate energy in motion no matter what its context, size or magnitude.
One last note. It would be correct in saying that a Designed Presence and/or Unity in the form of an Intelligence supporting all forms of energy, light and information is a mindful realization purposely integrated/programmed into the concept of self awareness/consciousness via our DNA. The subtle realization of there being a Designed Presence in all things is not at all inappropriate, but a highly refined understanding of what we subconsciously feel to be real.
This stream of columnar energy is both attracted and repulsed by a central point of unity located within the "event horizon". In other words, the event horizon is the trailing feature of a bundle of energy waves oscillating between being both attracted and repulsed about a neutral core within a quantum field of virtual potential. Central to these streams of energy in motion are a series of neutral projections/vectors at its "central core". These points of energy (vectors) move in reference to the context in which an event might be observed, perceived and/or "materialized".
Micro contexts influence macro formations of energy in motion, ad infinitum, ex. DNA/consciousness/awareness.
Micro events, from which macro contexts are observed, will "at times" surface from within the context of the QFVPP. Influences in the form of a "charge"(+, -) determine the creation of a wide variety of formative fields of density made apparent though changes in features and attributes. Presented within a cacophony of discordant frequencies, i.e. the QFVPP, direction, focus and pattern are determined by means adhering to a design process, aka intentions being made manifest within the context of perpetual change.
Intention creates the impetus behind every design. Symbolic projections in the form of an "electric" stream of energy in motion, create a field of attraction (magnetic) about the meaning and a purpose surrounding an intent. In order to bring balance to this circumstance a variety of patterns and forms of energy in motion (ideas) emerge from what appears to be the unknown.
Life is in perpetual motion, always changing and adapting within the context of its own presence. Life's intentions are uniquely directed towards the "materialization" of a series of hidden attractions. All impulses are cast into a mystery that is always changing in reference to the consciousness of an observer. In reference to humanity anything not sensed, perceived, observed, measured, comprehended, imagined or mainly felt cannot be included in the description and/or definition of Reality.
Each of these palpitating impressions (intentions) propagate an energy wave form, i.e. a light, upon the observational context in which an event or experience is made apparent. Each idea takes on a relative form which displays its own a unique position in 3d space/time and the QFVPP. Within every formation of Light, i.e. consciousness, there can be found a streaming central core of creativity, an electric Life force readily adapting to every context made apparent by virtue of its own Presence. The concept of the soul partially appears before our consciousness as an elaborate mix of both intelligence and emotion, i.e. feeling. Wrapped into identifiable bundles of character and energy we intuitively describe this awareness by virtue of our feelings. The soul provides unthinkable and unimaginable awareness, guidance and support based upon purposeful and meaningful experiences directed towards a joyful Life.
The soul presents itself as another form and means of awareness meant to symbolically sense, observe, comprehend, measure, imagine and "feel" both the known and the unknown.The soul resonates to and within itself by means of design in the forms of metaphor and analogy. The soul represents just one side of an androgynous and multidimensional coin.
Reality (Life) can feel fulfilled by pursuing the gifts attainable through coherent resonance, i.e. the soular attraction, amplification and expansion of consciousness by means of design.
amplification:1theprocessof increasing the volume of sound, especially using an amplifier:•theactionof increasing the amplitude of an electrical signal or other oscillation:•theactionof making something more marked or intense:2the action ofenlargingupon or adding detail to a story or statement:.3Geneticstheactionof making multiple copies of a gene or DNA sequence:
Life might be virtually described as a contextual field (spacetime) of our own design to which we alone are attracted. This multidimensional context harbors both the potential and probability of filling our hearts with joy and happiness ... if that is our intention, choice and desire. We symbolically design, create and assimilate to that which we ourselves resonate.
To change means to flow, one quality merging, matching and mating with another in a conditioned state of Oneness. All change describes this singularity being as one in the same "form of beingness". Change as energy is constantly motioning to and resonates from one form of stasis to another based upon attraction. Balance is key.
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Tiny electrical vortexes bridge the gap between ferroelectric and ferromagnetic materials by University of Warwick
"Ferromagnetic materials have a self-generating magnetic field, ferroelectric materials generate their own electrical field. Although electric and magnetic fields are related, physics tells us that they are very different classes of material. Now the discovery by University of Warwick-led scientists of a complex electrical 'vortex'-like pattern that mirrors its magnetic counterpart suggests that they could actually be two sides of the same coin.
Lead author Professor Marin Alexe of the University of Warwick Department of Physics said: "If you look at how these characteristics scale down, the difference between ferromagnetism and ferroelectricity becomes less and less important.It might be that they will merge at some point in one unique material. This could be artificial and combine very small ferromagnets and ferroelectrics to take advantage of these topological features. It's very clear to me that we are at the tip of the iceberg as far as where this research is going to go."
I believe the field of design metaphysics is flagrantly apparent and unwittingly revealed in the efforts that give rise and precedence to a scientific paradigm. I believe certain design "attributes" are symbolically veiled in all our perceptions and observations.
In reference to pursuing this supposition I have pointed out and commented upon certain circumstances, events and revelations reflecting upon this hypothesis. In turn, I hope to reveal the intimate relationship that exists between the scientific method and the field of design metaphysics.
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You are an active participant in every creation. You are a creative observer discovering you own self-truths during the process of designing. Thought naturally thinks thoughts in conjunction with feeling. Feeling brings change, emotion categorizes it. Emotions form symbolic boundaries typically fixed and conditioned by outside forces, e.g. culture, language, place, situation, circumstances. Emotions are meant to be fixed and at times are thought to be your own.
"The deterministic way in which conventional computers operate is not well-suite with dealing with the uncertainty and randomness found in many physical processes and complex systems. Probabilistic computing promises to provide a more natural way to solve these kinds of problems by building processors out of components that behave randomly themselves.
The approach is particularly well-suited to complicated optimization problems with many possible solutions or to doing machine learning on very large and incomplete datasets where uncertainty is an issue."
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Thoughts together with feelings allow you to seriously ponder upon the potential and probabilities behind every choice.
The mere act of perception and observation describes the subconscious desire to symbolically link all events into meaningful and purposeful experiences.
Space and time separate things. Design invites unity.
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
THE CONCEPT OF CHANGE/ENERGY
Energy in motion is a broad description of the design "process". Energy in motion describes both energy and change. The design process however, can be best described as a "symbolic process of transformation and transmutation". The design process reveals how change and energy symbolically complement each other within the context of a dualistic universe.
Energy = Particle
Change = Wave
The universe is part and parcel of a symbolic process designed in and out of time and dimension.
CE is critical in understanding, creating and adapting to all blueprints, plans, programs or contexts in the process of being observed and/or experienced.
CE is fundamental to understanding and facilitating the concept of consciousness by means of design.
C/E might be described as creating a portal between states/fields (S/F) of the unconscious, subconscious and consciousness. C/E accommodates the flow of an energy/vibration (E/V) in the form of a frequency felt only by means of perception and observation (PO), i.e. conscious awareness (CA).
The perceiver becomes aware and the observer made conscious through the use and application of symbols and metaphor. Together they describe a designer's tools by clearing a designed path.
CE infers there is a veil between physics and metaphysics yet is integral to the expression of the QFVP. Spaceless space and timeless time create the context required to know, observe and experience the silent purity behind the concept of "spirit". The journey to know this peace and freedom is by virtue of design and discernment.
CE creates the portal between opposites by means of the same process that describes it, i.e. symbol/metaphor, meaning and purpose.
CE goes beyond the constraints of quantum mechanics by guiding awareness in an intimate manner towards knowledge, understanding and greater consciousness. CE by design leads to wisdom.
CE is a metaphor designed to describe a "state in perpetual motion and transformation".
CE brings focus to the metaphysical dynamic between time and timelessness, which in itself defines pure balance and harmony.
CE cannot be fully "measured" due to the wide multitude of perspectives and languages engaged in the process of symbolic translation. A variety of POV focusing upon a commonly shared event or experience creates a symbolic "situation" between the seen and the unseen, the known and the unknown, the perceiver and the observer. There are as many interpretations as there are perceivers and observers, each swayed by the impulse of feeling.
CE can be measured linearly, three dimensionally and conceptually by means of a language designed to be apparent, accessible and known only to its author/creator. All languages are designed and based upon symbol and metaphor.
CE requires a symbolic language of its own.
CE can be intuitively felt, imagined and understood within a commonly shared design language of symbol and metaphor. This is a language made easily accessible and self apparent through observation.
CE describes a state of consciousness that is known only to itself by itself.
CE attracts unity of opposing forces made apparent within the parameters of the present.
CE is key to transformation and transmutation and is understood as being equal to itself.
CE equalizes all forces and impulses of energy and change at certain points of discernment (timelessness). CE appears in multidimensional patterns, matrix and networks in complementary opposition of each other.
Design rarely needs to take a linear path. Linearity is a metaphysical concept made necessary and appropriate for designing within the dimension of 3D space/time. Consciousness' purpose is to enter dimensions unknown by means of a presence made knowable in the present.
CE is experienced as a point of awareness just approaching the pinnacle of a designed consciousness.
CE defines the present as a "position" of awareness balanced between the consciousness of the past and the future.
There are no such things as forms, objects, space and time, only circumstances, situations and contexts designed for conscious and symbolic projection and interference.
Design consciousness conceives, interprets and creates all "forms" of change/energy between context and content, the observer the observed.
Change and energy are one in the same. They merely change as result of the perceiver/observer point of view.
Design creates a utilitarian link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis|ˈstāsis|nounformalortechnical1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
HYPOTHETICAL ORIGINS
All is vibration, waves of energy in motion (EIM) become qualified by means of frequency generated "from a within a context outside itself" (ref: Higgs Field). Each frequency become measurable both as a particle and a wave.
Waves of energy in motion flow and cross creating patterns of interference while simultaneously taking on the appearance of a "field of energy" (FOE). Under certain circumstances this "state" of energy in motion can be sensed when observed in this measurable moment. Energy in motion is the resource of change by both qualifying and quantifying the Original "perennial constant" (PC).
When waves of energy in motion interfere their crests become sensed and measurable as their troughs reach deep into the unknown source, i.e. the unconscious. The universe exhibits a Design Process that is dualistic in nature and character.
perennial|pəˈrenēəl|adjective lasting or existingforalongorapparentlyinfinitetime; enduring or continually recurring:his perennialdistrustofthe media|perennialmanifestations of urban crisis.•(of a plant) living forseveralyears:tarragonisperennial.Compare withannual,biennial. •[attributive](of a person)apparentlypermanentlyengagedinaspecifiedrole or way of life:he's a perennial student.•(of a stream or spring) flowing throughouttheyear.
Scientists Successfully Measure an Exotic Bond for the First TimeUniversity of Innsbruck, Vienna University of Technology"A positively charged atomic nucleus is surrounded by negatively charged electrons in an electrically neutral atom, which surrounds the atomic nucleus like a cloud. "If you now switch on an external electric field, this charge distribution shifts a little," explains Professor Philipp Haslinger, whose research at the Atominsitut at Vienna University of Technology is supported by the FWFSTART program. "The positive charge is shifted slightly in one direction. the negative charge slightly in the other direction, the atom suddenly has a positive and a negative side, it is polarized."Because light is just an electromagnetic field that changes extremely quickly, this polarization effect may also be achieved with laser light. When many atoms are located near one another, the laser light polarizes them all precisely in the same manner, either with positive on the left and negative on the right, or the other way around. Both times, two neighboring atoms move their opposing charges in the direction of one another, creating an attractive force."Polarizing individual atoms with laser beams is basically nothing new," says Matthias Sonnleitner, who laid the theoretical foundation for the experiment. "The crucial thing about our experiment, however, is that we have succeeded for the first time in polarizing several atoms together is a controlled way, creating a measurable attractive force between them."* * *
* * * All observations and perceptions of reality are symbolic in character. Design is at the center of the creative process (0), change energy (< >, > <) is design's primary attribute.
primary|ˈprīˌmerē,ˈprīm(ə)rē|adjective1of chiefimportance;principal:the government'sprimary aim is to see significant reductions in unemployment.2earliest in time or order ofdevelopment:the primarystageof their political education.3not derived from, caused by, or basedonanything else:theresearchinvolved the use of primary sourcematerialsin national and local archives.•Biology&Medicinebelonging to or directlyderivedfrom the first stage of development or growth:a primary bone tumor.
Design can be implied, inferred, observed, communicated, "measured" and translated by means of the following symbolic expressions: 0, (< >) or (> <) with "0" signifying the center, the zero point, the source, the origin, the cause, the event horizon. Example: (>0<) = yin energy, (<0>) = yang energy.
The symbols (< >) and (> <) signify what is observable, perceivable, defined, described, measured or implemented as "energy in motion" (EIM) and is generally linear content, form, translation and context. EIM can be both attractive and repulsive. EIM links all energy together into a whole while simultaneously embracing it (0).
By virtue of design the realm of opposites, i.e. duality and three dimensional space/time, can be observed, interpreted, transformed and translated to be in the same. Unity (0) symbolizes one attribute of design and CE (< >), (> <) the other, together each bring symbolic recognition and balance to the consciousness of the observer/designer. [(<>) + (><) = 0].
The QFVP is multidimensional in content and context therefore not all design events or experiences are sensed, experienced or made conscionable.
Unity appears to be born from within a multidimensional context currently observed within the parameters of 3D spacetime and symbolically represented in the form of a quantum field of virtual potential (QFVPP).
Design (0) is conceptual, change<>energy (-) linear. Balance (>0<) is found in timeless space symbolizes to the point<0>source.
Design is a metaphor for change<>energy, and change<>energy a metaphor for Design.
Design like consciousness, has a common conceptual (0) origin. The dispersion (< >) of that original concept, i.e. source, wholeness, unit, field, idea, causal network, is believed to be born, emerge and surface (become tangible) from within.
dispersion|diˈspərZHən,diˈspərSHən|noun theactionor process of distributing things orpeopleover a wide area:some seeds rely on birdsfordispersion.•thestate of being dispersedovera wide area:the generaldispersion of Hellenistic culture.•Ecologythe pattern of distributionofindividuals within ahabitat.•(alsothe Dispersion)another term fordiaspora. •a mixture of one substance dispersed inanothermedium.•Physicsthe separation of white light into colors, or the separation of any radiation according to wavelength.•Statisticsthe extent to which values of a variabledifferfrom a fixedvaluesuch asthe mean.
<0> symbolizes the oscillation between elements. Each born of a common source<0>zero point. Also described as change<0>energy.
All things appear as fields of change/energy (CE) in perpetual transition and reconfiguration.
Deep waters and surface waters flow together.
Forms are programmed within the context of a virtual field of potential, i.e. change<0>energy (CE), where a line describes a point or network of points, in transition<0>transformation (TT). These points in (TT) describe EIM in the relative forms of a vector, an expanding and contracting (EC) agent in tension/compression (TC).
A point of CE is the fundamental component of all forms of EIM. A point (.) describes the fundamental agent/component in every observation and perception of energy, light and information. The relationship between the point and the line is symbolized (designed) into every form, i.e. sign, letter, word and syntax. All is vibration (V). All is change<0>energy in the process of transition<0> transformation (TT).
The lines describe the path its points the times of (TT). become lines while transforming themselves at every cyclic transition. These formative positions can be described as an event made apparent (aware) in times of timelessness (0), i.e. balance.
(TT) describes an event<0>experience (EE) made consciously aware within a virtual and/or formative moment, i.e. an instant. This instant marks a point of awareness (PA) within a cyclical path of EIM where they become both formless and timeless.
Certain points<>lines of CE transform themselves upon every cyclic transition.
A line is a point in motion, which in turn creates a spiraling turbulence in its' wake. An impression, if you will, made consciously aware by means of the vibration (energy) it generates. Energy never ends it only changes. Life is energy in motion.
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CONCEPTUAL ITERATIONS
it·er·a·tion|ˌidəˈrāSH(ə)n|nounthe repetition of a process or utterance:what is the use of this constant iteration of the same things?•repetition of a mathematical or computational procedure applied to the result of a previous application, typically as a means of obtaining successively closerapproximationsto the solution of a problem:the equation can only be solved through iteration|this process usually requires at least two levels of computationaliteration.•anewversionof a piece of computer hardware or software:the app is now in itstenthiteration.
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Energy and change are both active and passive, each are One in the same.
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Can Dualism Explain Consciousness? - Episode 1512-Closer To Truth
Design and consciousness struggle with and sometimes control each other.
Design and consciousness cannot exist without each other.
Design and consciousness nurture each other.
Design and consciousness can transform each other.
There is a quality of each reflected in the other.
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Design creates the link between consciousness and awareness.
The design process links the tangible with the intangible, the physical with the metaphysical, the material and the spiritual. Design facilitates the flow of change<0>energy (CE) from one "state" to another. Example: unknown > known > quantum > atom > element > molecule > pattern> geometry > structure > form> return to unknownafterbecoming known. All perceptions and observations (>) are symbolic in nature and by means of a design cycle return(<) to its "original" source, i.e. {zero (0)< > point (.)}
denotes line, i.e. change
denotes point<0>source, i.e. energy
Design can be symbolically described as either a unifying force (verb, wave, spirit, or < >) or form of unity (noun, particle, matter or 0).
Design can be observed and measured symbolically as CE in expansion (< >) or contraction (> < ), tension (< >) or compression (> <) or"relative stasis" (0).
stasis1a period orstateof inactivity or equilibrium.•Medicineastoppageofflowofa bodyfluid.
Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design.Design is lovingly veiled in all that can be seen, known, measured and felt.(07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood.(01.13.2023)
What is a designer?
Designers are men and women who are faithful to themselves and others, who creatively abide and amalgamate their skills and knowledge with love and integrity - the goal: personal, collective and global and soular balance and harmony. (09.01.2022)