Tuesday, December 7, 2021

The Point Becoming the Line

 


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. 

"The beginning of all things lies still in the beyond in the form of ideas that have yet to become real."
Richard Wilhelm. "I Ching - The Book of Changes"
 
DESIGN PERMUTATIONS

We begin with an immeasurable point, a seed, a symbol of unity re-presenting the unseen, the unknown, oneness, infinity, the Tao, the source, wholeness and singularity. The point locates an origin that is androgynous in its essence yet biotic in character. The point re-presents the concept of a timeless infinity made discernible for creative purposes. The point represents a primordial Source that symbolically incorporates everything and nothing. By design a point represents the seed (feminine) circumscribing its own inherent potential (masculine) within a self contained quantum field of virtual potential (QFVP). 



How the Physics of Nothing Underlies Everything 
 

These attractions/correspondences may be geometric, mathematical, emotional, physical, psychological and spiritual etc. in character and essence. A point is an abstract proposition designed to substantiate the concept of a single source located within the context of a theoretical vacuum of significant content. A point initiates the beginning of a metaphysical process being portrayed in a symbolic fashion and therefore made relevant by design.

The idea of a"point" is a symbolic one. A point confirms a position. A point infers potential. A point implies new beginnings and new patterns of energy based upon new and different contexts and resources. A point generates a new focus designed for the purpose of expanding the consciousness of the observer by means of awareness.




A point symbolizes the beginning of the creative process based upon limitations rooted in human observation. This proposition implies that the concept of there being a source is at the center of every "universe" and that this source harbors all configurations of energy within the circumference of its influence. Much of humanity has abstractly attributed this central position as representing the soul.


Spectacular Video Shows How Supernova Remnant Cassiopeia A Evolved Since 2000
 



"At the center of a circle or a sphere is always an infinitesimal point. The point needs no dimension yet embraces all dimension. Transcendence of the illusions of time & space result in the point of here and now, our most primal light of consciousness. The proverbial "light at the end of the tunnel" is being validated by the ever-increasing literature on so-called "near-death experiences". If our essence is truly spiritual omnipresence, then perhaps the "point" of our being "here" is to recognize the oneness we share, validating all "individuals" as equally precious and sacred aspects of that one. 

Life itself as we know it is inextricably interwoven with geometric forms, from the angles of atomic bonds in the molecules of the amino acids, to the helical spirals of DNA, to the spherical prototype of the cell, to the first few cells of an organism which assume vesical, tetrahedral, and star (double) tetrahedral forms prior to the diversification of tissues for different physiological functions. Our human bodies on this planet all developed with a common geometric progression from one to two to four to eight primal cells and beyond.

Almost everywhere we look, the mineral intelligence embodied within crystalline structures follows a geometry unfaltering in its exactitude. The lattice patterns of crystals all express the principles of mathematical perfection and repetition of a fundamental essence, each with a characteristic spectrum of resonances defined by the angles, lengths and relational orientations of its atomic components." 

Consciousness and awareness collaborate for purposes of maintaining a balance and harmony between them.

We each imagine ourselves as living in our own a conceptual framework, a universe of our own creation brought to awareness by means of a series of events and experiences we call our own. We view every situation in our life as an observer positioned in the center of a perpetually changing series of circumstances. We imagine ourselves at the center of a particular realm inscribed within the circumference of a field of energy we have determined and chosen as being real. We are all observers centrally positioned within the parametric constraints (circumference) of a field of virtual reality we've construed as our own. There is little doubt that the avatars we freely choose create are merely virtual reflections of ourselves.

While projecting our intentions beyond this centralized POV we eventually become confronted with events and experiences outside our own definition of reality. It is here where our avatars serve their its greatest function by bringing meaning and purpose (balance or imbalance) to situations we now encounter.

The point has immediately become a line in our attempt to go beyond the familiar a context where we unknowingly positioned ourselves. We soon realize we've become part of a greater reality that has entered our sense of being, a position made apparent through  awareness. Our concept of reality must now contend with what has never been experienced before. 

Duality creates the circumstances required for the expansion of  consciousness. 

The concepts of light and dark have no reference to good or evil, but merely represent two complementary agents used to symbolize a set of self assigned positions that in turn, circumscribe the parametric boundaries of a virtual field of energy, light and information, i.e. consciousness. The concepts of light and dark harbor a linear interpretation of reality and are therefore limited in scope and elucidation.

The Universe is benevolent in character, a symbolic expression of a macro Consciousness beyond human comprehension. 

The concept of a "soul" is a projection, i.e. an idea, intimately created for the purposes of maintaining balance and harmony between dimensions, states of consciousness and what you've been told you are and who you really are. It is your soul that supports you in the challenge of discovering and functioning in the true Reality you've designed for your Self.

The connector between these binary agents appears as a Neutral (+,-) form of Light, a passage, a path designed by you to appear and disappear in what has been dimensionally referred to as the subconscious. The soul re-presents a Presence within, a point that can be affirmed within the domain of a greater Universal Consciousness made apparent by virtue of its own awareness.

“The universe looks less and less like a great machine and more and more like a great thought.”
Sir James Jeans

The concept of a universe along with its composite multiverses, cannot be known or discovered in its entirety by any single agent (POV) that occupies and/or contributes to its reality. Each universe, i.e. agent, brings recognition and significance to its own position and along with other universes, "conditions" our perspective of space/time. Collectively all Universes could be interpreted as gradients of energy, light and information in perpetual flux symbolically re-presented within a fragment of time. Time along with space create the duality required for the growth and expansion of consciousness.

An indeterminable point is "positioned" at the beginning of every design process. A quantum matrix of events and experiences are symbolically oriented about this centrally pointed mystery. All belief systems are designated to categorize and/or interpret it for themselves.    
A pointless point of penetration emerging from within a virtual field of quantum energy might be likened to the human impulse and curiosity to discover and expand within the parameters of their perception of reality. A focus of interest is projected outward into an "objective world" in the form of a desire supported by intent. The point has now become a vector (line) as it is cast out beyond the the borders and parameters it alone has created for itself. 

Awareness brings a meaning and a purpose to its observer by virtue of this drive to expand, know and experience more of what describes and defines its Self (soul). The design process brings forward such issues while simultaneously being suspended within the context (field) the observer identifies as being reality. At this juncture there appears a be a quickening,  an event likened to what was once an immeasurable compulsion becoming a measurable force, event or form being birthed into greater expansion, manifestation and awareness.
vector  noun.    1 Mathematics & Physics a quantity having direction as well as magnitude, especially as determining the position of one point in space relative to another. Compare with scalar.      a matrix with one row or one column.        [as modifier] Computing denoting a type of graphical representation using straight lines to construct the outlines of objects.     
quicken  verb.    1 she quickened her pace: speed up, accelerate, step up, hasten, hurry (up).     stimulate, excite, arouse, rouse, stir up, activate, galvanize, whet, inspire, kindle; invigorate, revive, revitalize.



The desire for expansion first appears in the form of a concept. This urge is first recognized in the form of a thought or feeling (Kama Manas). This urge reveals an innate drive to create something that doesn't partake in the present reality, a reflection of the same pointedness that triggered the fire of a desire to know and feel. Such intentions are born from within the soul where the avatar and the observer become one in the same. Creativity is an intuitive act, an expression of intelligence spurred forward by desire. 

Imagine if you will, that you take the position of an observer nestled in a virtual field that reaches beyond your imagination. You soon realize that any effort to discover and experience this vast unknown demands a change in perspective (POV). Soon you become aware that you’ve harbored and exercised a set of constraints prior to every experience. In time you become aware of an unknown presence that seemingly rests deep within your being. In time you become cognizant of your strengths and weaknesses. You begin to realize that time along with discernment, are benevolent contributors in your quest towards knowledge and understanding.

Your pointless position rests within the parameters of a dimensional membrane capable of adapting to the changing flows of energy that both surround and center you. You find yourself capable of “being” anywhere you desire at a moments notice while still remaining within the parameters of a perpetually changing field of virtual energy you've defined as reality. Soon you sense the timelessness inherent in being.

Forms emerge out of nowhere simply because you've noticed and became aware. Holographic images appear as result of a pattern of strategically placed mirrors reflecting upon a Source of Light you cannot sense. How do these images appear and disappear while I observe them?

You observe your own being in a different context than how you observe others. Looking outside you sense patterns that move through your field, every element sharing in its form and creation. You respond. Your lack of pointedness takes another position in reference to that which only you can sense and observe. Others will see differently. You soon realize you've become an active co-creator in a virtual field brought to awareness by means of your own observation. You eventually discover other symbolic portals connecting the known and the unknown by design. Greater awareness is attained by experiencing the Presence you never before knew existed. Love is the connector. Your soul the observer.

Energy-in-motion (e-motion) is disguised and hidden within the parameters of every dualistic circumstance. In time, what was once hidden becomes a reflection of its-self. Linear in quality and intellectual in content and context, desire will always find a degree of resistance within every field of its own creation.




The concept of the point (unit) fractures into a variety of frequencies when meeting substantial resistance. The particle (point) becomes the wave (vector) by means of intention backed with desire. The wave and the particle become One. (Note: All virtual fields of energy are composed of :"substances" that reflect upon the qualities inherent to the field being observed. 

Some substances and their accompanying fields are denser than others, ex: air, liquid, gas. Together and in conjunction with other substances, many fields of energy, light and information harbor similar patterns of energy all of which stemming from a common and bountiful re-source. It is with the sharing of vibration. i.e. resonance, that design becomes substantiated. Such patterns are archetypal in character and made apparent through symbolic association and attraction. Substance arrives in the form of particles.

“Dr. Michael McCann, who also played a leading role in the Imperial team, said: “We know there must be new particles out there to discover because our current understanding of the Universe falls short in so many ways – we do not know what 95% of the Universe is made of, or why there is such a large imbalance between matter and anti-matter, nor do we understand the patterns in the properties of the particles that we do know about.”

A catalytic event, i.e. or “quickening” if you will, between desire and intention occurs at the most opportune time and appropriate space, aka a synchronistic event. It is a situation where the point (energy-in-motion) penetrates a virtual field chosen for contextual reference, self-reflection, manifestation, observation and/or expansion.

The context (field) in which a vector (e-motion) is observed also describes and determines the contrasting elements between particle and wave, light and dark, yin and yang. What was once an immeasurable singularity (point) has become a measurable duality (potential form) made notably apparent within a quantum field of virtual potential purposely designated for an expansion in awareness and of consciousness.    




Elements attract and repel each other in the creation of an expanding and contracting spiral of energy-in-motion. Each element is innately designed to contain, connect and convey a mutual attraction or repulsion for one or the other. Such spirals mimic a cosmic blueprint harbored in a limitless field never before made apparent or conscionable. 

Realizations are achieved by meaningfully and purposefully penetrating any contextual field where a concept can be reflected upon and made apparent in the form of an idea. 


The point is the seed, the source, the concept that harbors a desire and will to grow, expand and flower. A point in motion creates the line. The line (vector) is like an electric like force (-) penetrating the unknown by means of attraction. A vector's focus creates an attraction about it, i.e. a magnetic like pull (+) that allures and entices substance into "form" and spiral about its impulses (intention). Like moths captivated by a source of light, further correspondences/patterns likewise begin to hover and connect around this mysterious attraction. 

All points of energy are in perpetual motion. Some forms (ideas) "materialize" into your own reality, many do not. All agents in this process harbor similarities, i.e. vibrational impulses patterned about the mysterious desire/intention held deep within the womb (soul) of every original source. 

Vectors/lines penetrate the unknown causing ripples within the quantum field of virtual potential. The vector is both particle and wave especially when the creative impulse to design begins to surface. Light might be interpreted as a diversity of currents unified into forms of energy and information that together create a multidimensional field identifiable by virtue of their density. For example, there are no differences between dark and Light, the dark merely symbolizes its lack of the Light that embraces it. Dark matter/energy might best be described as Light unfocused and ill 
designed, that which demonstrates little meaning or purpose. 

(QFVP) is a perpetually changing vibratory field and existing throughout the Universe. Vectors attract "material" by means of the turbulence generated from both within and without (point/line). "Substance" is attracted to each vector by virtue of a coherent resonance between energies (+,-).  About this vortex a toroid is formed as energy, light and information continue to spiral and forms appear and disappear.

The vector extends the "spirit" behind the source beyond the circumference that contains it. At the core of this vector is its source, an energy in motion whose waves cause both tranquility and turbulence within the QFVP. When balanced this same Light becomes the re-source for further expression and expansion. When placed into its appropriate context, the vector comes to be the center of a series of "ideas" - impressions/expressions that orbit about its original concept. 

This new re-source in the form of a vector of Light, becomes a central attractor for all forms of substance that resonate to and from its vibration/frequency. Light responds to the density of all substances that contribute to the balance of the field being permeated. 

Variations surrounding original intentions (desires) are interpreted as change/disturbances/turbulence emerging from within a QFVP. Substance attracted to the central vector/core becomes polarized, which in turn contributes to the generation of its own microcosmic field of energy, light and information. 

The quantum substances that are attracted to every virtual idea (micro) in time/space (duality) are subject to the same universal principles that permeate the QFVP (macro). 




Ideas are holographic forms of energy patterned about concepts originating from within the limitless and pointless depths of the unknown. The unknown has no point so it remains pointless. The unknown becomes known only if it has a point, a focus and a direction, in other words made known by design. The unknown is the "material" of creation. Might dark matter also be considered the material of creation?



A unified field embodies its desires by means of design. A unified field mimics its own reality. Reality lies hidden in the unconscious as a concept that attempts to quantify its pointlessness.

Energy, light and information appear as projections (waves) stemming from an unbounded central focus (point) of origin in space/time. Upon escaping the enclosure of the androgynous ovule a point of energy in motion takes-on the qualities of a vector (direction and magnitude) These vectors become causal in nature. Their impressions create wave-like disruptions within their field of focus. Forms of light, energy and information materialize as result of these events, i.e. interferences that polarize every and any "substance" that references the quantum field. Within the origin of every singularity are the intangible concepts and theories that propel its blueprints (DNA) into manifestation, i.e. reality.  

All forms of relative “matter” are patterned about a reality brought to awareness by means of agents, i.e. representations, that give form and structure to every pattern of energy, light and information. Together they arrange, configure and give meaning and purpose to a central authenticity hidden in the unknown. All consciousness has been birthed from a single common origin, a Single Oneness mirroring all its creation by means of design.




Consciousness becomes individualized by virtue of the contextual field that surrounds one's desires. The more an agent becomes conscious, i.e. individualized by virtue of self-awareness, the closer it approaches its own singularity, i.e. Oneness. These realizations are made apparent through a series of synchronistic events and experiences fashioned into dualistic references in space/time.




A Vortex in a Nanometric Teacup: Researchers Generate a Vortex Beam of Atoms and Molecules
 
“Scientists have long been striving to produce various types of nano-scale vortices in the lab, with recent focus on creating vortex beams – streams of particles having spinning properties – where even their internal quantum structure can be made to spin. Vortices made up of elementary particles, electrons and photons, have been created experimentally in the past, but until now vortex beams of atoms have existed only as a thought experiment. 

 … the very basic property of angular momentum, which characterizes naturally occurring vortices both big and small, takes on a different twist on the quantum scale. Unlike their classical physics equivalents, quantum particles cannot take on any value of angular momentum; rather, they can only take on values in discrete portions, or “quanta.” Another difference is the way in which a vortex particle carries its angular momentum – not as a rigid, spinning propeller, but as a wave that flows and twists around its own axis of motion. 

These waves can be shaped and manipulated similarly to how breakwaters are used to direct the flow of seawater close to shore, but on a much smaller scale. “By placing physical obstacles in an atom’s path, we can manipulate the shape of its wave into various forms,” says Alon Luski, a PhD student in Narevicius’s group. Luski and Segev, who led the research along with Rea David from their group, collaborated with colleagues from Tel Aviv University to develop an innovative approach for directing the movement of atoms. 

During the experiments, the researchers made an odd observation. “We saw that next to the perfectly shaped donuts, there were two small spots of ‘noise’ as well,” says Segev. “At first we thought this was a hardware malfunction, but after extensive investigation we realized that what we’re looking at are actually unusual molecules, each made of two helium atoms, that were joined together in our beams.” In other words, they had generated vortices of not only atoms but also of molecules. https://scitechdaily.com/a-vortex-in-a-nanometric-teacup-researchers-generate-a-vortex-beam-of-atoms-and-molecules/ A quantum vortex made of atoms https://www.science.org/doi/10.1126/science.abk1565?utm_source=TrendMD&utm_medium=cpc&utm_campaign=TrendMD_1 

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Further reference:





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This post is an exercise in design thinking. Design is multidimensional in context and content. Design is like a gemstone showing off its brilliance by reflecting upon its origin. 

Brilliance is attained by design. 

Facets are purposely created to reflect, refract and redirect light within the "field of the gemstone". One might say that the soul's origin lies within a central core creating a field of light magnified by virtue of its own reflective brilliance. 

Design is multidimensional, a many faceted field of energy, light and information conceptually rooted and ideally communicated.  A concept precedes every idea. Ideas are facets of light (energy in motion) that bring unity to conceptual thought. You are a facet, an idea, an avatar, a reflection of light emanating from a Source of infinite potential.

"... to pursue meaning and purpose in design and nature ... reveals a single facet of the whole which is Life itself."
Edward J. Zagorski

To be design conscious you must be more than an observer.


Edited: 04.05.2014, 04.09.2014, 04.16.2015, 01.11.2017, 03.05.2017, 10.29.2019, 07.08.2020, 07.17.2020, 11.11.2020, 12.14.2020, 03.09.2021, 03.25.2021, 04.28.2021, 11.06.2021, 12.06.2021, 12.17.2021, 02.27.2022. 03.15.2022, 08.14.2022, 02.11.2023, 07.31.2023, 12.09.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designconsciousness.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/,   and https://sagariandesignnetwork.blogspot.com.




Saturday, December 4, 2021

Entering the Quantum Field of Virtual Potential and Probability (QFVPP)


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Design Hypothesis: 

Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy in motion whose origin rests beyond the subconscious. 

Awareness brings forward a “sense of consciousness” by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023) 

Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023) 


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Nowhere and Everywhere https://designconsciousness.blogspot.com/2013/08/nowhere-and-everywhere.html Oullim and the Tao of Design https://designconsciousness.blogspot.com/2012/02/this-paper-was-presented-in-october.html What is the Design Paradigm? https://designconsciousness.blogspot.com/2013/07/the-design-paradigm.html  The Design Paradigm: Intuition, Intelligence and the Imagination https://designconsciousness.blogspot.com/2013/12/the-design-paradigm-intuition.html If You Could Only Imaginehttps://www.blogger.com/blog/posts/3124312086941847677* * *


How Physics of Resonance Shapes Reality 

Ben Brubaker, Contributing Writer, Quanta Magazine, Jan 2022 

In its simplest form, resonance occurs when an object experiences an oscillating force that’s close to one of its “natural” frequencies, at which it easily oscillates. That objects have natural frequencies “is one of the bedrock properties of both math and the universe,” said Matt Strassler, a particle physicist affiliated with Harvard University who is writing a book about the Higgs boson. 

Quantum theory revealed that the structure of atoms, no less than the structure of symphonies, is intimately tied to resonance. Electrons bound to atoms are a little like sound waves trapped inside flutes. As for the atomic nuclei, further advances in the 1930s showed that many kinds of atomic nuclei only exist in the universe today because of resonance. 

In quantum field theory, the universe’s truly elementary entities are fields that fill all space. Particles are localized, resonant excitations of these fields, vibrating like springs in an infinite mattress. The frequencies at which quantum fields prefer to vibrate stem from fundamental constants whose origins remain obscure; these frequencies in turn determine the masses of the corresponding particles. Blast the vacuum of empty space hard enough at the right frequency, and out will pop a bunch of particles.
 
In this sense, resonance is responsible for the very existence of particles. It has also increasingly become the workhorse of experimental particle physics.   

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Scientists Document the Presence of Quantum Spin Liquids, a Never-Before-Seen State of Matter 

"In 1973, physicist Philip W. Anderson theorized the existence of a new state of matter that has been a major focus of the field, especially in the race for quantum computers. 

This bizarre state of matter is called a quantum spin liquid and, contrary to the name, has nothing to do with everyday liquids like water. Instead, it's all about magnets that never freeze and the way electrons in them spin. In regular magnets, when the temperature drops below a certain temperature, the electrons stabilize and form a solid piece of matter with magnetic properties. In quantum spin liquid, the electrons don't stabilize when cooled, don't form into a solid, and are constantly changing and fluctuating (like a liquid) in one of the most entangled quantum states ever conceived. 

"It is a very special moment in the field," said Mikhail Lukin, the George Vasmer Leverett Professor of Physics, co-director of the Harvard Quantum Initiative (HQI), and one of the senior authors of the study. "You can really touch, poke, and prod at this exotic state and manipulate it to understand its properties. …It's a new state of matter that people have never been able to observe." https://phys.org/news/2021-12-scientists-document-presence-quantum-liquids.html?utm_source=nwletter&utm_medium=email&utm_campaign=daily-nwletter 

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Quantum Simulators Create a Totally New Phase of Matter  https://www.quantamagazine.org/quantum-simulators-create-a-totally-new-phase-of-matter-20211202/   Charlie Wood, Staff Writer

Scientists Successfully Measure an Exotic Bond for the First Time   University of Innsbruck, Vienna University of Technology

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Design is the language that brings unity to consciousness.
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 Edited: 12.12. 2021, 01.14.2022, 01.19.2022, 01.28.2022, 10.04.2022, 04.21.2023, 07.17.2023, 09.12.2023, 11.02.2023Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL https://designmetaphysics.blogspot.com/ is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice)  You are also invited to visit https://designconsciousness.blogspot.com/ and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com 












Wednesday, September 8, 2021

Time's Metaphor

 

Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Linear, cyclical, conceptual and always in motion, does time have a beginning, or is it an endless constant - a vague, mysterious and virtual thought form avoiding all attempts to define it? Or is time a figurative idea stemming from the human imagination, created for the purposes of embracing every literal overtone that symbolically re-presents it.

overtone  1 a musical tone which is a part of the harmonic series above a fundamental note, and may be heard with it. • Physics a component of any oscillation whose frequency is an integral multiple of the fundamental frequency. 2 (often overtones) a subtle or subsidiary quality, implication, or connotation: 

Complex situations require metaphorical investigation through symbolic representation, both of which personify a variety of attributes harbored within the process of abductive/design thinking. It is upon this premise that the following inquiry is based.

Time describes a cyclical re-presentation of energy in motion. With time comes change in motion. The concept of time creates a focus about which energy can be contained in three-dimensional space. Time "lines" bring forward a variety of options for every observer to choose. Every choice in every moment will influence the next step in a design blueprint filled with options. Repeating past actions, thoughts and feelings create patterns of energy that "in time" become imprinted, ingrained into consciousness.  

Time is energy. Time travels about a cyclical path creating the framework essential to the paradigm of three-dimensional consciousness. Within the framework of three-dimensional space and time, time becomes a thing by virtue of its presence (meaning and purpose).

presencenoun 1 existence, being there. ANTONYMS  absence.2 Attendance, appearance; company, companionship. ANTONYMS  absence.3 aura, charisma, (strength/force of) personality; poise, self-assurance, self-confidence.4  ghost, spirit, specter, phantom, apparition, supernatural being;

Time embraces change by creating a format in which change can be formulated, articulated and realized. Time is best re-presented in the shape of a circle. A circular clock face alludes to a "reality designed within the parameters of a cyclical framework" and that it is within this system that human consciousness must function.  A circular clock is a perfect metaphor by reinforcing this phenomenon in forms of shape, number, division and categorization. 


A clock face is divided into numerical fragments, i.e. hours, minutes and seconds. These divisions innumerate certain qualities, i.e. attributes, that together bring into realization the concept of a day with further reference to the concept of a week, month, year, etc. Each category reflects upon a Cosmic network of earthly, solar and galactic forms of energy in motion. 

A simple circular or elliptical shape implies that there exists a certain degree of universal wholeness supporting the concept of time, that time is a constant while observed within the constraints of a three-dimensional POV. Awareness changes over time and space through morning, afternoon (light) to evening and night (dark). 

Everything changes yet remains the same.

There are two distinguishable elements that can be identified as contributing to this metaphor; one is the context in which the concept of time is framed and second the human observer who categorizes these events by means of experience. 

Time has been humanly designed in reference to natural events and experiences framed within the constraints of human observation



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Electromagnetism is a property of spacetime itself, study finds  by Jussi Lindgren and Jukia Liukkonen, July 23, 2021, Science X

“In particular, our research shows how electromagnetism is an inherent property of spacetime itself. In a way, spacetime itself is therefore the aether. Electric and magnetic fields represent certain local tensions or twists in the spacetime fabric. 

John Wheeler, the famous physicist, put forward the idea that all of the material world is constructed from the geometry of the spacetime. Our research strongly supports this kind of natural philosophy. It means that the material world always corresponds to some geometric structures of spacetime. Tensions in spacetime manifest themselves as electric and magnetic fields. Moreover, electric charge relates to some compressibility properties of spacetime. Electric current seems to be a re-balancing object, which transports charge in order to keep the spacetime manifold Ricci-flat. This is aesthetically pleasing, as nature seems to strive for harmony, efficiency and simplicity.” 

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These observations have both a meaning and a purpose made in reference to all seen and unseen forces. Time's impressions are made apparent by means of a coherent resonance. Time like space, creates a symbolic framework for the manifestation of energy in motion. Each frame contributes to a design made apparent by pointing, directing and patterning energy towards its most appropriate form (space) at its most appropriate time. When revealed before a design conscious human observer every "form of energy in motion" is tangible and intangible, conceptual, symbolic and metaphoric both in content and context. 



“Time cannot be forced into pigeonholes. Time has grown wings and takes flight into unfamiliar patterns. The sextants of humanity demand that time fly in a direction that makes sense. All sensors of Earth – smell, taste, touch, feel – are changing values. Do not take them for granted, and do not trust them fully. As what once was written in stone as truth, has now shifted in agenda.” 

Gillian MacBeth Louthan   www.thequantumawakening.com




To be design conscious you must be more than an observer.

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This passage presents a deep, philosophical exploration of the nature of time, energy, and human perception. To refine and expand on specific themes, I'll break down key aspects and build on them to deepen the meaning, clarify the concepts, and enhance the metaphors. 

1. Time as a Conceptual and Abstract Entity 

The opening question about whether time has a beginning or is an "endless constant" positions time as both a physical and metaphysical concept. To refine this, we can explore how time exists in different dimensions of thought: 

Time as an Abstract Entity: Time may not be an objective, measurable reality but rather a construct shaped by human perception. It's not just a linear progression from one moment to the next but a conceptual framework for organizing experience. While in physics, time is often seen as a dimension of spacetime, philosophically, it’s much harder to define. It escapes clear categorization because it is always in motion, ever-changing, and self-referential. 

Time and Consciousness: Time, when observed through the lens of human consciousness, is not an absolute force but a subjective experience. It is continuously shaped by individual perception, emotion, and thought. As we age or reflect on life, our experience of time shifts—sometimes it feels like it flies, other times it drags. This illustrates that time, much like a thought form, adapts according to the observer's internal state. 

2. Time as Cyclical, Energy in Motion 

The passage states that "time describes a cyclical re-presentation of energy in motion," linking time with change, motion, and patterns. To deepen this, let's consider: 

Cyclic Nature of Time: Many natural cycles—day and night, seasons, life and death—suggest time’s recurrence. The clock face, symbolizing this cyclical movement, acts as a metaphor for universal rhythm. Time is not just linear but inherently recursive. This cyclical nature mirrors the energy flow of the cosmos, from atomic oscillations to planetary orbits. Within these cycles, time isn’t just something measured; it’s an ongoing process of transformation. 

Energy in Motion: Time could be seen as the framework in which energy manifests and evolves. Each "moment" of time holds the potential for change, a turning point in which energy shifts form, creating new experiences and outcomes. This could be further expanded by exploring how energy patterns imprinted over time create personal and collective histories—shaping cultures, societies, and even human evolution. 

3. Human Perception of Time: The Observer and the Context 

The text highlights that the observer plays a crucial role in how time is interpreted. Expanding on this theme: 

Time as a Human Construct: Time is deeply entwined with human experience. It is not merely a feature of the natural world but something that humanity has conceptualized and categorized. The calendar, the clock, and even the very notion of "the past," "present," and "future" are constructs that reflect how humans attempt to make sense of time. These constructs serve to organize the seemingly chaotic flow of life into manageable segments, creating meaning and purpose from the continuous flux of existence. 

Cultural and Contextual Frameworks: Different cultures perceive and organize time in varying ways, which suggests that time is a relational experience. The Western model of time, with its linear progression and emphasis on productivity, contrasts with more cyclical or relational models found in other traditions. These frameworks influence how individuals experience events, success, and failure—ultimately shaping their psychological and emotional response to life's unfolding. 

4. The Role of Time in Design and Creation 

The passage introduces an interesting connection between time and design thinking. Time is seen as integral to the process of creating and understanding: 

Time and Design Thinking: In the context of creative or design thinking, time serves as both a constraint and a resource. Design, by its nature, requires an awareness of past actions and an anticipation of future consequences. Each decision made within the constraints of time contributes to a larger pattern or framework. The process of designing is, in a sense, an interaction with time, where ideas are developed, refined, and manifested within specific timeframes. Time, thus, becomes the environment in which design takes place. 

Temporal Imprints on Consciousness

The idea that "repeating past actions, thoughts, and feelings create patterns of energy" is an exploration of how time imprints itself on human consciousness. Habits, routines, and personal histories all mark time’s passage. These imprints influence future actions and thoughts. Every moment is not just an isolated instance but part of a larger network of energy patterns that persist through time. 

5. The Metaphor of the Clock and Circularity 

The clock, as a symbol of time, is a powerful metaphor throughout the text. To refine this metaphor: 

• The Clock as a Symbol of Control and Limitation

The circular clock face emphasizes the bounded, finite nature of time. In a way, it represents the structure within which human consciousness operates. The divisions of time—hours, minutes, and seconds—demarcate the framework of existence, creating boundaries that allow us to navigate the endless stream of experience. However, this framework is not restrictive but rather offers a way to understand, control, and organize life. 

Circularity and the Universe: A circle, especially as a representation of time, invokes a sense of unity and continuity. It suggests that while the moments of time may pass, the essence of time itself is without beginning or end. The cyclical nature of time, as represented by the clock face, also speaks to the interconnectedness of all things. Every cycle in time is linked to the larger cycles of the universe, from planetary movements to the cycles of birth and death. This reinforces the idea that, in the grand scheme, everything is part of a greater, eternal flow. 

Conclusion 

In refining and expanding these themes, we can see that time, while often seen as a linear progression, is more accurately understood as a cyclical, dynamic process that is deeply interwoven with human consciousness and experience. Time is not just a measurement of change; it is the very fabric through which change is realized, understood, and manifested. Human perception, history, and even creativity are shaped by the framework of time, and in turn, our understanding of time shapes how we interact with the world and the universe at large. Time is both an ever-present constant and a metaphorical representation of the human experience—a tool for navigation in the boundless flow of energy and motion. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.


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"Bridging the gap between divine omniscience
and mortal awareness."



Edited: 09.09.2021, 03.15.2022, 08.25.2022, 03.31.2025
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