Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
The QFVPP symbolizes energy, light and information as a quantifiable, qualifiable and multidimensional design 'field'. By virtue of attraction and repulsion, i.e. vibration, patterns of energy in motion (EIM) appear to both combine and deconstruct (change). Energy in motion (EIM) appears to change as result of the dynamics created between the context of the event/experience and the observer.
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static: unchanged, fixed, stable, steady, constant, consistent, uniform.
non-static: always changing, moving, flexible, unsteady, unbalanced, transferable, modular, adjustable.
Energy in motion (EIM) is binary in quality and can be described as two identifiably different, yet correspondingly comparable, conditions.
Condition 1: EIM is perceived and/or observed in a static condition as a particle, unit, agent, element or singularity.
Condition 2: EIM is perceived and/or observed in a non-static condition in the form of a wave, projection, vector or agency.
singularity: the state, fact, or condition of being singular. A point at which a function takes an infinite value.
vector: a quantity having a direction as well a magnitude, especially as determining a position of one point in spacetime relative to another.
agent: a person or a thing that takes an active role or produces a specified effect, the doer of an action, proxy, author, executor, operator, cause, origin, root, catalyst, source
agency: action, activity, force, power, vehicle, medium, instrument, channel, mode.
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Energy is constantly changing. Energy is in endless pursuit of balance and equilibrium. In the quest for balance contexts change, qualities emerge (+ -) correspondences begin (design) and the intangible embraces the potential and probability of becoming tangible.
Links between 'agents of change' become recognized and measured by virtue of the patterns they create and/or reject. In reference to human intelligence, these impressions have been categorized into patterns of opinion, facts, knowledge, understanding and wisdom.
In essence, chaos could be identified as a product of the Universe's drive towards equilibrium and harmony. Forms of intelligence appear in response to the context in which an event or experiences is observed. At times humanity can be very opinionated in the face of facts and knowledge. Such a 'form of intelligence' has little or no understanding. Due to a multitude of circumstances, the concepts of intelligence and emotions (feelings) are difficult and at times impossible to measure.
Chaos and turbulence are the by-products of the pursuit for balance and harmony.
Intelligent, flexible, creative and adaptable correspondences between 'agents' of EIM can be created, maintained and sustained by means of design, i.e. signs, symbols, metaphor and analogy.
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WAYS OF IMAGINING INTELLIGENCE
Linear Interpretation of Intelligence (Probability)
Conceptual Interpretation of Intelligence (Potential)
Intelligence is a conceptual network of energy patterns in perpetual flux (expansion, contraction, coherence and incoherence). The Universe is Conscious Intelligence, a latticework of Awareness connected by Design.
Every impression within the QFVPP can be designed as to having its own unique meaning and purpose. For example, among the many timelines that together create the fabric of spacetime, each vibrates, is identified and measured by virtue of its frequency
The Universe is the multidimensional embodiment of a Design Consciousness.
String theory describes one of an infinity of patterns of EIM that together weave the fabric of a QFVPP.
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Knowledge is at the core of human intelligence. Agencies acting within a variety of octaves can orbit about, share and resonate to commonly shared and interpreted forms of design. Correspondences are designed to be broadly embraced and communicated through the use of signs, symbols, metaphor and analogy.
Intelligence (mind), emotions (feelings) and form (matter) are identified and made apparent by means of vibration.
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- Tools for a different kind of thought What disembodied AI can teach us about communications and learning by Philip Grabenhorst
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WHY DESIGN THINKING (CONSCIOUSNESS) IS IMPORTANT
Design thinking requires a FOCUS about which a broad series of IMPRESSIONS created, felt and/or made apparent within a CONTEXT designated for OBSERVATION.
Ripples in the fabric of consciousness are generated, i.e. created, about a common center, focal point, center of attention, linchpin, nucleus, hub, heart, central point. Focusing brings essence to a point.
Focusing harbors a seed worthy of observation that grows by virtue of sign, symbol, analogy and metaphor, i.e. design.
Design thinking:
- encourages a wide collection of thoughts and feelings.
- encourages a wide range of collective interpretation surrounding a commonly shared event, experience, goal or objective.
- encourages the blending of the intuition and imagination with meaning and purpose.
- supports and enlightens all past, present and future experiences.
- encourages a metaphoric, analogical and symbolic interpretation of spacetime.
- encourages a broad and inclusive interpretation of the thoughts and feelings of self and others.
- encourages the finite and exclusive interpretation of the thoughts and feelings of self and others.
- requires the development of a close relationship between thinking and feeling.
- requires facts, knowledge, understanding, integrity, benevolence, compassion, trust, attentiveness, discretion, vigilance, caring, wisdom, alertness, discernment, precaution, decency, thankfulness, empathy, enthusiasm, self-respect, self-understanding, calm, self-confidence, self-caring, desire, patience, passion, cheerfulness and love.
- is all inclusive, cohesive and coalescent.
- is highly interactive.
- is flexible and adaptable.
- is inexhaustible.
- promotes and encourages change.
- can reach beyond the constraints of spacetime.
- is both meaningful and purposeful.
- is at the point of all consciousness.
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Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a range of multidimensional patterns of energy in motion whose origin rests beyond the subconscious.
Awareness brings forth a "sense of consciousness" by fostering correspondences and fusing the concepts of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in representation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
Be assured that you will not discover all the answers to your inquiries here. Continue to investigate into your role as observer, participator and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.
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"To believe is to accept another's truth.
To know is your own creation."
Anonymous
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Edited: 07.29.2023, 08.11.2023, 09.11.2023, 10.15.2023, 02.27.2024
Find you truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note ... posts are continually being edited. All rights reserved. Copyright © 2023 C.G. Garant. AI usage prohibited.
