Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.
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What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.
The quantum field of virtual potential and probability (QFVPP) is a morphic field of absolute energetic potential.
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By definition key Design qualities are highlighted in red, key principles in (GREEN).
morphogenic: relating to the origin and development of morphological characteristics.
morphological: relating to the form or structure of things (DESIGN) • relating to the branch of biology that deals with the form of living organisms, and with relationships between their structures relating to the forms of words, in particular inflected forms (SYMBOLS).
Congenital: having a particular trait (PATTERN) from birth or by firmly established habit (ARCHETYPE)
Inflect: 1 Grammar change (CHANGE) the form of (a word) to express a particular grammatical function (PURPOSE) or attribute typically tense, mood, person, number, case, and gender (of a word or a language (LANGUAGE) containing such words) undergo inflection (IMPRESSION) 2 vary the intonation or pitch (VIBRATION) of (the voice), especially to express mood or feeling (FEELING) : • vary the pitch of (a musical note). • influence (RESONANCE and MEANING) or color (music or writing) in tone or style (FREQUENCY): 3 technical bend or deflect (something), especially inward (AWARENESS): particles readily inflect, deflect and jostle one another. (ENERGY IN MOTION).
The QFVPP describes a virtual "field" of energy in motion (EIM) which by definition, is not completely definable and absent of boundary.
Design's beginning is a consubstantial event. The objective becomes the goal and the goal its objective. Design designs itself.
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- What are Morphogenetic Fields? - Quantum University
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Toroidal sources are dualistic in character drawing energy, light and information from the very context from which they consubstantially emerged (QFVPP).
Toroidal sources are boundless in reference to their potential and probability. A toroid creates the re-sources from which all sources are created (QFVPP).
Changing velocities of energy in motion focused about a central moving core creates a vortex, i.e. a moving and changing series of orbital fluctuations that harbor and define its own semi-permanence, an objective range of influence set within contextual parameters.
The vortex is a nodal wave form of energy in motion and where charges within and surrounding its influence (modus operandi) are forever changing in reference to it agency, which in turn alters its status, i.e. form of entanglement.
Conscious awareness is compartmentalized in all things felt. Awareness is a derivative of Consciousness - one might call it a spin-off.
The quantum field of virtual potential and probability is in constant flux by virtue of interferences (micro and macro) surrounding every definition of particle and wave.
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The Quantum Field of Virtual Potential and Probability (QFVPP) is a dynamic, non-localized field composed of virtual energy, light, and informational constructs. It exists in a state of pre-manifestation, an unseen and undefined potential from which all observable forms arise. The QFVPP is not a physical field in the classical sense but rather a morphic or informational field—one that precedes, underlies, and informs material reality.
This field becomes perceptible and meaningfully structured through symbolic representation, or design. Design, in this context, is not merely a human endeavor but a fundamental process by which consciousness interfaces with the field—translating the formless into form, potential into actuality.
The QFVPP expresses itself through the relative appearances of particles, waves, and forces—impressions that fluctuate and interact, revealing glimpses of its nature. These expressions are never static; they are probabilistic manifestations that point back to a deeper field of potentiality that defies boundary or definition.
On Design and Consciousness:
Design is not an external imposition on the field but an emergent act—a consubstantial event—in which the origin and outcome are indistinguishable. In this recursive process, the objective becomes the goal, and the goal the objective, illustrating a self-referential loop through which consciousness expresses itself. Design, then, is both the means and the message: design designs itself.
Within this framework, conscious awareness is the experiential expression of the QFVPP, fragmented and compartmentalized through feeling and perception. Awareness is derivative—a spin-off—of consciousness, reflecting the manner in which the field differentiates itself within time, space, and form.
Toroidal Sources and the Nature of Energy:
A toroidal source—a self-sustaining energetic structure defined by its spinning, doughnut-like topology—is emblematic of the QFVPP in motion. These sources are inherently dualistic: they simultaneously draw from and return to the field from which they emerged. This recursive relationship is what gives rise to new systems of energy, light, and information.
Toroidal structures do not merely exist within potential—they generate potential. They are boundaryless in reference to probability and possibility, acting as generative engines that produce the very resources from which all emergent phenomena arise.
At the heart of the toroid is a vortex—a dynamic concentration of energy in motion (EIM). This vortex is defined by fluctuating velocities and orbital patterns centered around a mobile core. These fluctuations give rise to a nodal waveform, a semi-stable structure whose influence radiates through space and time. Within and around this nodal center, charge and entanglement are in constant flux, giving the toroid its agency and modulating its form of interaction with the greater field.
Entanglement and Interference:
The QFVPP is perpetually in flux, influenced by countless micro and macro-scale interferences. These interferences act as perturbations—ripples of intent or form—that alter the probabilistic behavior of particles and waves within the field. As such, nothing in the QFVPP is fixed. Everything is in a continual process of becoming, shaped by the interplay of presence, perception, and potential.
Summary:
The Quantum Field of Virtual Potential and Probability is an undivided, pre-physical continuum—an ocean of energy, light, and information that gives rise to form through the agency of design and awareness. Through structures such as toroids and vortices, the field manifests itself in patterns of motion, interference, and resonance. Consciousness is both a product and participant in this process, ever-interacting with the field through sensation, symbol, and self-aware design.
Key Components Explained:
1. Quantum Field of Virtual Potential and Probability (QFVPP):
- Represents the underlying, unmanifested field of energy, light, and information.
- Exists in a state of constant flux, characterized by probabilistic potential rather than fixed form.
2. Toroidal Structures:
- Serve as dynamic, self-sustaining systems within the QFVPP.
o Exemplified by the toroidal model of the universe, where energy circulates in a continuous loop, facilitating creation and transformation.
- Illustrated in the diagram as a torus, symbolizing the cyclical nature of energy and information flow.
3. Vortex Dynamics:
- Within the toroidal structure, energy flows in a vortex pattern, creating regions of influence and interaction.
- These vortices are nodal waveforms of energy in motion, where charges and entanglements are in constant flux.
4. Consciousness and Awareness:
- Consciousness emerges from the QFVPP, becoming compartmentalized through awareness.
- Awareness is a derivative of consciousness, reflecting the field's interaction with perception and form.
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Tunneling describes a form of focus, attentiveness, concentration, centering, clustering, assembly, aggregation, accumulation and acceleration of EIM made apparent by virtue of the context in which an event or phenomenon is experienced, i.e. observed. Tunneling is instrumental in acquiring a design consciousness.
To tunnel is to portal, to create a gate, a doorway, or other symbolic entrance providing an individual to link and/or access other phenomena and experiences. Every tunneling effort requires the creation and execution of a language designed to reveal its content by means of its context vice versa.
Design consciousness creates Cosmic order through change.
The quantum field of virtual potential and probability is in constant flux by virtue of interferences (micro and macro) surrounding every definition of particle and wave.
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Ripples in fabric of universe may reveal start of time By Raphael Rosen Princeton Physics Laboratory
Gravitational waves, first predicted by Albert Einstein in 1916 as a consequence of his theory of relativity, are disturbances in space-time caused by the movement of very dense objects. They travel at the speed of light and were first detected in 2015 by the Laser Interfermometer Gravitational Wave Observatory (LIGO) through detectors in Washington State and Louisiana.
Garg and Dodin created formulas that could theoretically lead gravitational waves to reveal hidden properties about celestial bodis, like stars that are many light years away. As the waves flow through matter, they create light whose characteristics depend on the matter's density."
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Design methods are based upon the interpretation, understanding, application and execution of commonly held impressions surrounding the cohesiveness intrinsic to the use of signs, symbols, metaphor and analogy. Design methods have a meaning and a purpose.
Ref: What is Complexity? by Nate Barksdale
The context creates the backdrop, design creates the patterns, agents create the network.
Agents share a common coherent resonance with agents to which they are entangled.
The more sources of energy, i.e. agents, the more chaotic, diversified and unstable a universe may appear. Cosmic entanglements, i.e. galaxies, planets, solar systems, humanity and all organisms, are by nature, (+) entangled. Diversification (-) is perceived, commonality observed.
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1. Tunneling and Focus
Tunneling describes a form of focus, attentiveness, concentration, centering, clustering, assembly, aggregation, accumulation, and acceleration of EIM (which, if not already defined, could stand for something like Experiential Information Manifestation or Emergent Information Mechanisms). This idea encapsulates a concentrated mental or perceptual state where multiple elements come together to form a cohesive understanding of a phenomenon. The focus isn’t just about intense concentration, but about creating a pathway for all of these elements to unify in a meaningful way. The more we focus, the more the disparate pieces of information come together in a clearer, more intentional manner.
Refinement:
"Tunneling is not merely a state of focus, but a holistic assembly of attentiveness, concentration, and energy, where disparate elements—ideas, perceptions, or data—clump together, accelerate toward meaning, and crystallize within the context in which they are observed."
Expansion:
The process of tunneling in this context is not passive; it's an active form of creation, shaping one's cognitive or perceptual space. It’s like constructing a mental framework, a dynamic path, where you selectively amplify and bring to the forefront those elements that help form an understanding, bypassing the unnecessary noise.
2. Tunneling as Portaling or Creation of Gateways
"Tunneling is instrumental in acquiring a design consciousness" is a profound idea. Tunneling, as a form of deep focus, creates an opening into other realms of thought or experience. A "portal" here might signify a mental gateway where one can access different levels of awareness or even entirely new worlds of thought, enabling the designer (or observer) to see beyond the obvious.
Refinement:
"Tunneling is akin to opening a portal—a mental or perceptual gateway—allowing access to deeper, often unseen layers of phenomena, whether they be tangible or abstract. In this way, it becomes a method for expanding one’s design consciousness, providing pathways to explore hidden connections and unknown territories."
Expansion:
In design, this tunneling effort requires more than just attention—it demands a deliberate construction of language, a mental code or system that connects the visible to the invisible. Through metaphor, analogy, and symbolic language, the process becomes a process of 'building bridges' between different layers of understanding. Design is thus a method of translating experience into structured forms of meaning.
3. Design Consciousness and Cosmic Order
"Design consciousness creates Cosmic order through change." This line suggests that design is not only about aesthetic or functional outcomes but is intrinsic to the ongoing organization of the cosmos. Change, as a fundamental element of design, has the power to transform chaos into order.
Refinement:
"Design consciousness, when actively engaged, becomes a force that channels the potential for change, shaping not only our immediate environment but also contributing to the greater cosmic order. By organizing and structuring phenomena, design acts as a bridge between entropy and order, between chaos and meaning."
Expansion:
In this sense, design becomes a metaphysical act—a force of evolution and transformation. As the universe is in a state of constant flux (as alluded to by the quantum field), design interventions can act as intentional guides, helping channel and direct the chaos into organized systems of coherence. Just as the quantum field is subject to both macro and micro interferences, design, too, influences the larger context of reality, helping create structures that hold meaning across dimensions.
4. Quantum Field, Probability, and Emergent Phenomena
The concept that the quantum field is constantly in flux due to interference suggests that the universe is fundamentally probabilistic. Design, then, can be viewed as a tool for navigating this uncertainty and making sense of the randomness. In this framework, emergent phenomena are naturally occurring from the complex interaction of smaller units, whether particles or human agents.
Refinement:
"The quantum field, with its constant fluctuations, embodies a universe of infinite potential. At the heart of these fluctuations lies the inherent unpredictability of particles and waves. Emergent phenomena arise when these complex systems give birth to new properties and behaviors that cannot be reduced to the sum of their parts—this is where design plays a crucial role in interpreting and harnessing these emergent properties to create meaning and function."
Expansion:
Emergent properties are fundamental to both physical and conceptual systems. For example, while a single molecule might behave in a predictable way, the interaction of billions of molecules in a living organism produces behaviors—like consciousness or self-regulation—that are entirely new and cannot be predicted from the individual components alone. Design, in this context, becomes a way to intervene in these complex systems, shaping the flow and emergence of new properties, whether in physical architecture or conceptual structures.
5. Context, Design, and Agents
"Context creates the backdrop, design creates the patterns, agents create the network." This succinctly encapsulates how these elements interact to shape the larger system of experience. The context serves as the canvas, design as the brushstrokes, and agents (whether human, systemic, or physical entities) as the forces that bring these patterns into being.
Refinement:
"Context provides the framework in which the narrative unfolds; design breathes structure and order into this framework, creating patterns that give rise to meaning. Agents—whether individuals, systems, or phenomena—then become the active forces that link these patterns, creating an interconnected network where every action and interaction reverberates throughout the whole."
Expansion:
In the cosmic sense, this can also be understood as a cosmic dance. Context is the stage upon which the universe’s play takes place; design forms the choreography that brings the stage to life, creating order from chaos. The agents (or cosmic forces) that populate this stage are not mere spectators—they are integral participants, creating, transforming, and linking the various patterns that emerge.
6. Cosmic Entanglement and Diversification
The mention of "cosmic entanglements" invokes quantum entanglement, where distant particles are linked in such a way that their states are dependent on one another, no matter the distance. Similarly, the diversity and perceived chaos in the universe are merely reflections of these deeper, entangled connections.
Refinement: "In the vast cosmos, all phenomena are deeply entangled, bound by unseen forces. Whether it's galaxies, planets, or individuals, each entity is linked by common resonances that transcend individual experiences. The universe may appear chaotic or diversified, but beneath the surface, commonality and interconnection form the fundamental web of existence."
Expansion: Here, the entanglement can be seen as a metaphor for both the interconnectedness of all things and the paradox of order within chaos. While the universe may seem full of disarray, each element (whether a planet, a person, or a star) is part of a greater, unseen pattern that links them all. Diversity is not the absence of unity, but a manifestation of it—a different facet of the same underlying reality. Design, then, is the lens through which we bring coherence to this intricate web.
Conclusion
The text you've shared explores profound themes in design, quantum physics, and cosmic interconnectedness. By refining these concepts and expanding on their meaning, it becomes clear that design isn’t just a human activity—it’s a fundamental force in the shaping of reality itself. Through tunneling, we access new layers of understanding; through design consciousness, we channel cosmic change; and through our entanglement with the universe, we give form to emergent patterns that transcend the sum of their parts. The universe, in all its chaotic diversity, is bound by a deeper coherence that design helps us perceive and navigate.
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Evrim Yazgin Jan. 31, 2023
"This makes it possible to create a whole network of entangled quantum light sources, all of which interact with one another, and which you can get to perform quantum bit operations in the same way as bits in a regular computer, only much more powerfully."
Adam Santoro*,1, Andrew Lampinen*,1, Kory W. Mathewson1 , Timothy Lillicrap1 and David Raposo1 *Equal contributions, 1DeepMind
“Because symbols are inherently subjective constructs, their use and meaning is entangled with the state of their interpreters. As an interpreter’s background, capabilities, and biases vary, so too will their subjective treatment of symbols."
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Systems of change energy (CE) expand and contract within the parametric constraints of their own region, i.e. context.
New systems of energy in motion (EIM) emerge as result of contrasts within. Creation is a consubstantial event.
What cannot be imagined can still be designed. Design is metaphysical and transcends the unimaginable. Like consciousness, this dichotomy seems to be more than complex.
Entangled agents create fields around them yet are also pervious to coherent impressions to which they resonate.
What is the science of complexity? by Nate Barksdale
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The Control Principles of Complex Systems Oct 2014-Sept. 2017
"But biological systems, even those of very basic life forms, contain deeply convoluted networks of connections, pathways through which causes and effect are dispersed. And since everything is connected, it is often quite hard to discern which of the network's nodes and links are essential for achieving a given outcome. Nevertheless, these systems have evolved to exhibit remarkable stability."
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"Universe is energy and thought all knotted together by incredibly complicated webs of relationships. It is ultimately impossible to separate the physical and metaphysical: both are "experience". The scientific principles that govern the interaction of energy events - as timeless statements of truth - are themselves metaphysical. The line therefore becomes ever more difficult to draw. This is why Fuller's definition depends upon consciousness. Our awareness of energy events defines their existence; we cannot go beyond the limits set by our understanding."
Design Science Collection Series, Editor Arthur L. Loeb, Department of Visual and Environmental Studies Harvard University, Amy C. Edmondson. In preparation Marjorie Senechal and George Fleck (Eds.) Arthur L. Loeb, A Fuller Explanation: The Synergetic Geometry of R. Buckminster Fuller, 1987.
Change is a constant, balance and harmony an eternal objective.
Unity is a "matter" of frequency and/or vibration.
What is believed is symbolic in character can be felt to be somewhat obscure and chaotic. In design, what is made known by virtue of its obscurity also brings meaning and purpose to believing what is felt.
Design consciousness embraces a broad range of interpretation and action made in reference to commonly shared interests, impressions and experiences.
The QFVPP is omnidirectional.
Energy changes in reference to the context in which it is observed. Energy can be either dark or light dependent upon the relationship between the observer, the context and the circumstances. Energy in and of itself is neutral. Energy changes when observed in reference to its vibrational context.
Energy is timeless, a revelation made apparent in time by virtue of duality. Time like space, i.e. 3D spacetime, creates the context where eventful correspondences can be made manifest and experienced.
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1. Systems of Change and Contextual Constraints
Original Idea:
Systems of change energy (CE) expand and contract within the parametric constraints of their own region, i.e. context.
Expanded Explanation:
Energy, particularly in systems of change, moves within specific boundaries shaped by context. This idea suggests that energy is not unlimited but operates within frameworks—whether physical, social, or conceptual—that define its potential and limits. These constraints create a dynamic interplay where the "region" of the system (e.g., an ecosystem, society, or even a mind) guides the energy’s behaviors. For example, in a human context, this could reflect how personal growth and creativity evolve within the constraints of one’s environment, culture, or societal structures. Change, then, is not merely random but is a product of the system's unique boundaries, leading to new possibilities or limitations.
2. Emergence of New Systems: Energy in Motion
Original Idea:
New systems of energy in motion (EIM) emerge as a result of contrasts within. Creation is a consubstantial event.
Expanded Explanation:
The idea here is that change is a natural outcome of contrasts or tensions within a system. Energy in motion (EIM) signifies the constant flux and transformation that gives rise to new forms of organization. These contrasts—whether opposing forces, ideas, or conditions—generate the conditions under which new systems emerge. Creation itself is not a singular, static event, but a continuous and shared process where all elements (or "substances") involved are interconnected. This speaks to the philosophical idea that all things are made from the same fundamental substance, whether we call it energy, matter, or spirit, and that through contrast and tension, new forms of existence emerge.
3. Design as Metaphysical and Transcendent
Original Idea:
What cannot be imagined can still be designed. Design is metaphysical and transcends the unimaginable. Like consciousness, this dichotomy seems to be more than complex.
Expanded Explanation:
Design here is framed as a force that exists beyond the limitations of imagination, moving into the metaphysical realm. Imagination relies on past experiences and patterns to form ideas, but design, in its broader sense, can transcend these boundaries. It touches on what is yet to be understood or conceived, guiding the creation of new possibilities in ways that go beyond our current understanding. This paradox reflects the complexity of human consciousness itself—able to contemplate the unknown, the unseen, and the unexperienced. Design thus becomes a tool for manifesting what is not yet visible or conceivable, much like how our consciousness can wrestle with concepts that exist outside of our everyday perceptions.
4. Entangled Agents and Resonance
Original Idea:
Entangled agents create fields around them yet are also pervious to coherent impressions to which they resonate.
Expanded Explanation:
This concept seems to touch on quantum mechanics, where "entangled agents" refer to individuals, particles, or entities that are interconnected in a way that their actions or states influence each other, even across distances. The "fields" created around them could be metaphorical or physical, implying that these agents' actions radiate influence into the surrounding environment. At the same time, these agents are "pervious" to impressions—meaning they are sensitive to external influences and resonant with particular patterns or frequencies. This resonates with the idea that every system, whether biological, social, or even cosmic, is both a producer and a receiver of energy, and that we are shaped by the forces around us as much as we shape them. This cyclical interaction creates a dynamic of feedback and resonance.
5. The Eternal Pursuit of Balance and Harmony
Original Idea:
Change is a constant, balance and harmony an eternal objective.
Expanded Explanation:
This speaks to a universal law: change is inevitable, but the quest for balance and harmony is continuous. While everything is in flux, there is a constant drive towards finding equilibrium—whether internally, in relationships, or within the larger natural world. This suggests that the pursuit of harmony is not a static goal but an ongoing process, a dynamic tension between growth and stasis. In this sense, balance doesn’t mean stillness, but the right amount of motion and stability, and it exists as a principle that governs everything from ecosystems to human psychology. The "eternal objective" could imply that this pursuit is intrinsic to existence itself.
6. Unity and Frequency
Original Idea:
Unity is a "matter" of frequency and/or vibration.
Expanded Explanation:
Here, unity is presented as a result of shared frequencies or vibrations. This can be interpreted both in a physical sense (such as how resonant frequencies create harmonious interactions in sound or matter) and in a more metaphysical sense (such as how individuals or systems come together when they are "vibrating" on similar wavelengths). It’s a reminder that unity is not a single, fixed point but a harmonious alignment of different energies, ideas, or beings that come together through shared resonance. Whether on a quantum level or in human relationships, unity is a process of synchronizing vibrations to achieve a cohesive whole.
7. The Symbolism of Belief and the Power of Obscurity
Original Idea:
What is believed is symbolic in character can be felt to be somewhat obscure and chaotic. In design, what is made known by virtue of its obscurity also brings meaning and purpose to believing what is felt.
Expanded Explanation:
Belief is symbolic—representing something more profound or abstract—and often difficult to fully grasp. This ambiguity or "obscurity" is crucial because it allows for the unfolding of deeper meaning. In design, especially in creative or philosophical contexts, what is not immediately clear may hold the greatest significance, as it challenges assumptions and invites exploration. The process of bringing something obscure into the light, even partially, can give rise to new insights and a deeper understanding. It suggests that the unknown has a crucial role in the formation of meaning, as the journey to comprehend the obscure often reveals hidden truths about ourselves and the world.
8. Design Consciousness and Shared Experience
Original Idea:
Design consciousness embraces a broad range of interpretation and action made in reference to commonly shared interests, impressions and experiences.
Expanded Explanation:
Design consciousness here refers to the awareness and intentionality behind the act of creation. It is not just about physical design but encompasses the broader concept of how we think and act within the world, often shaped by collective experiences, cultural norms, and shared values. It underscores the idea that design, whether in art, architecture, technology, or social systems, is influenced by the collective consciousness of a community. It is an ongoing dialogue between individual intent and collective experience, where meaning and purpose emerge through the intersection of personal and shared understandings.
9. The Omnidirectional Nature of the QFVPP
Original Idea:
The QFVPP is omnidirectional.
Expanded Explanation:
The QFVPP (likely a concept or acronym you've created) is described as being omnidirectional, which implies it operates in all directions—unbound by time, space, or perspective. This suggests that the principle or force in question is pervasive, existing in all areas and influencing everything. Whether it's a system, a force, or a concept, the omnidirectional nature points to its ability to influence and be influenced from all directions, not limited to a single point of origin or trajectory.
10. Energy, Perception, and Time
Original Idea:
Energy changes in reference to the context in which it is observed. Energy can be either dark or light dependent upon the relationship between the observer, the context, and the circumstances. Energy in and of itself is neutral. Energy changes when observed in reference to its vibrational context.
Expanded Explanation:
This reflects the idea that energy, in its purest form, is neutral—it holds no inherent value of being "good" or "bad." Its perception changes based on the context, how it is observed, and the relationship between the observer and the observed. This resonates with the idea that perception shapes reality, where what we perceive as "light" or "dark" is not an objective truth, but a subjective experience influenced by our emotional, psychological, and cultural lenses. In essence, energy is like raw material—its expression is determined by the context, frequency, and resonance of the observer.
11. Timeless Energy and Duality
Original Idea:
Energy is timeless, a revelation made apparent in time by virtue of duality. Time like space, i.e. 3D spacetime, creates the context where eventful correspondences can be made manifest and experienced.
Expanded Explanation:
This idea suggests that energy exists beyond the linear flow of time, yet its manifestation is made possible only within the framework of time and space. Time and space provide the context in which duality—the experience of opposites, contrasts, or relationships—can be experienced. Without time, energy would be an abstract concept, unmanifested and undifferentiated. In the 3D spacetime continuum, duality allows for the perception of change, growth, and transformation. Thus, the "timeless" energy becomes apparent and meaningful only when viewed through the lens of temporal and spatial experience.
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Light is. Light unveils itself in all shapes, forms and frequencies. All expressions are conscious by design. Light is a gradient expression of itself. When observed Light can be felt basking in its own Presence.
by Paul Sutter Universe Today April 10, 2023
"And they may have even created standing wave patterns where the gravitational waves weren't traveling but the waves stood still, almost frozen in place throughout the cosmos. Since gravitational wave are literally waves of gravity, the places where the waves are the strongest represent a exceptional amount of gravitational energy.
The researchers found that this could have major consequences for the electromagnetic field existing the the early universe at that time. The regions of intense gravity may have exited the electromagnetic field enough to release some of its energy in the form of radiation, creating light"
Every observation vibrates at its own appropriate and identifiable frequency while concurrently reflecting upon its own presence. The context, i.e. QFVPP, completes its own foreground and background; the only constant - perpetual change. This multidimensional phenomenon has been described as consciousness.
context noun the circumstances that form the setting for an event, or idea, and in terms of which it can be carefully understood and assessed.
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The metaphysical concept of "consubstantiation" has no reference to the theological definition of "consubstantiality". The literary critic Kenneth Burke best describes the usage of the word consubstantiality as "a practice-related concept based on stylistic identifications and symbolic structures ..." To be consubstantial with something is to be identified with it, to be associated with it: yet at the same time, to be different from what it is identified with. It can be seen as an extension or in relation to the subject."
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Design Postulate
Central to every galaxy is a "source" made apparent as result of a network of interwoven and interlacing agents of change energy (CE). From the perspective of 3D spacetime, these agents are found manifest in the form of energy, light and information. All systems of change energy (CE) support an array of multidimensional vibrations each uniquely patterned within the parameters of their own context. It is here where the interface between micro and macro impressions of EIM give credence to what has been described as light and dark energy/matter. Together they create the border, i.e. the parameters, that give relevance to both the parts and the whole.
Millions of Super-computer-Generated "Universes" Reveal How Black Holes Grow by University of Arizona December 21, 2022
"Now, we've been able to show that black holes do the same: growing and shutting off at the same times as their host galaxies. This confirms a decades-old hypothesis about black hole growth in galaxies".
However, the result poses more questions, he added. Black holes are much smaller that the galaxies in which the live.
For the black hole to double in mass within the same timeframe as the larger galaxy requires synchronization between gas flows at vastly different scales. How black holes conspire with galaxies to achieve this balance is yet to be understood."
"Most, if not all, galaxies scattered throughout the cosmos are thought to harbor a supermassive black hole at their center. These black holes pack masses greater than 100,000 times that of the sun, with some boasting millions, even billions of solar masses. One of astrophysics' most vexing questions has been how the behemoths grow as fast they do, and how they form in the first place."
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Every interpretation of complexity depends upon a context in which an event or experience can be observed. Change, i.e. energy in motion, is forever ... therefore what is of true significance is more suitably described as being the relationship, i.e. connection, association, link, correlation, correspondence, parallel, alliance, bond, iteration, interconnection between entangled agents.
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Such relationships are best understood symbolically, which in turn create new contextual fields prime for expansion, interpretation and further observation. Circumstances and identities are not compromised, rather they become integrated through knowledge and understanding.
Note: Here is where belief can become harmful, creating open ended cycles of promise with no return. Promises brim with potential, yet are highly improbable - and due to complexity, a paradox.
All forms of communication are symbolic and multidimensional in nature. The more complex the situation the more demand upon its design, i.e. meaning and purpose.
There can be no compromise when a design process knowingly operates within constraints.
Ref: Charles Eames
Corresponding agents are symbolic in character and nature. Each seek balance by means of entanglement. In the process they join to create a singularity in reference to themselves, a position made apparent within the contextual fabric of a QFVPP, aka spacetime.
This is a symbolic process. Creations are reflected upon where similar characteristics are observed. Truths are both hidden and revealed by means of design. Design can lead to greater entanglement, chaos and complexity if constraints aren't meaningfully and purposely exercised.
For all intents and purposes complexity remains relatively inexplicable due to its dependency upon the characteristics and qualifications of the observer.
The sign becomes the symbol, fulcrum, focal point, crux, keystone, pivot point, heart, nucleus, linchpin and hinge upon which the wave of consciousness oscillates.
All events and experiences are eventually absorbed into the contextual background of their origin, i.e. source (QFVPP), and recycled by means of consubstantiation.
In response to a background of apparent chaos and confusion, all forms of energy, light and information change in spacetime, sporadically emerging into and out of a conceptual and fleeting form of oneness, i.e. singularity.
The "Big Bang" measures but a moment in the cycle of a consubstantial event described as the universe.
The design process becomes simplified by means of reversing all symbolic references between the present and the past in relation to the future and creating new ones. Consciousness will always ride the wave between the known and the unknown.
Chaos becomes "designed" when operating within the parametric constraints of meaning and purpose.
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Thank you for sharing such a rich, thought-provoking text. There are several core themes and concepts at play here, including light as consciousness, energy as change, symbolism and meaning, complexity and simplicity, and the relationship between observer and observed. Let's refine and expand on these themes, highlighting the intricacies and further developing the underlying philosophical elements.
1. Light as Consciousness and Design
The text begins by treating light not only as a physical phenomenon but as an expression of consciousness, a "gradient expression of itself." This idea suggests that light is inherently aware, that it doesn’t simply illuminate the world around us but is itself an active, intentional force.
This theme can be expanded by discussing the relationship between light and awareness. If light is consciousness, then it is both the medium through which perception occurs and the very structure of perception itself. It creates the experience of "basking in its own Presence"—a moment where the observer becomes attuned to the light, thus revealing the dynamic interplay between the observer and the observed.
To further deepen this, consider the ancient idea of logos in Greek philosophy, which implies that light is the first principle or the organizing force behind existence. In this sense, light is both creator and creation, shaping reality as it reveals itself.
2. Energy as Change and the Nature of "Source"
The concept of change energy (CE) as central to galaxies and the universe ties into ideas from both modern physics (like quantum mechanics) and ancient cosmologies. The "source" described as a network of interwoven agents points to a unified field of energy where everything is interconnected.
Here, energy is not static but in a constant state of flow and transformation, reflecting an essential property of the universe. It is this perpetual movement of light, energy, and information that gives rise to the physical world. Each system, whether atomic or galactic, is a unique expression of this cosmic energy, and within this framework, light and dark energies emerge as complementary forces—one revealing and one concealing.
This theme of change can be expanded by discussing the laws of thermodynamics or entropy—the tendency of systems to move towards disorder—suggesting that the very essence of the universe is in a constant state of flux, always moving from order to chaos and back again. Yet, paradoxically, this chaotic movement itself may be part of a greater design—a process of consubstantiality (things existing together in the same substance, though separate).
3. Symbolism and Meaning in the Universe
The text emphasizes that all forms of communication are symbolic, which is a profound point. The idea that all systems, from the micro to the macro, operate through symbolic relations points to the interpretive nature of reality. We don’t perceive the world directly but instead interpret it through a web of symbols, associations, and patterns.
Expanding on this, we can explore how symbols function as bridges between the observable world and the invisible, unmanifested realm. Each agent, whether a particle, a wave, or an idea, operates in a field of symbolic correspondence, where meaning is co-created between the observer and the observed.
Moreover, the mention of belief—and how it can become harmful—alerts us to the danger of mistaking symbols for absolute truths. In many spiritual and philosophical traditions, symbols are seen as tools for understanding, not ends in themselves. When belief becomes entrenched in one symbolic system, it can prevent the fluidity of interpretation and growth, trapping individuals in closed systems of thought.
4. The Dance of Complexity and Simplicity
The notion that complexity is inexplicable and dependent on the observer touches on an ancient debate between the universe as ordered or chaotic. The design of complexity could be better understood as emergent—it arises from simple rules or patterns that build upon themselves.
This connects with the observer effect in quantum physics, where the act of observing a system affects the system itself. In this sense, the sign becomes the symbol and the observer plays an active role in creating meaning. The pivot points, such as the fulcrum or nucleus, are places where the universe’s infinite complexity converges into a moment of insight, a "wave of consciousness" oscillating between the known and the unknown.
This duality between complexity and simplicity could be expanded by reflecting on the Taoist principle of Wu Wei, which posits that true power comes from non-action—from simplicity and alignment with natural flow. Complexity arises not from forcing things but from allowing them to unfold.
5. Chaos, Design, and the Role of Meaning
Finally, the text suggests that chaos becomes designed when it is brought into alignment with meaning and purpose. This is a particularly fascinating theme, as it challenges the traditional view of chaos as an inherent lack of order. Instead, chaos is seen as a potential field that, when constrained within certain limits, can give rise to order and meaning.
This ties into ideas from chaos theory, where systems that appear chaotic on the surface may have underlying order or deterministic patterns. By placing meaning and purpose as parametric constraints, the text suggests that we are not merely passive observers of chaos but active participants in its transformation into coherence.
To expand on this, consider the notion of fractals, where chaos (in the form of seemingly random patterns) produces self-similarity at every level of magnification. This could be interpreted as the universe’s inherent potential for design, even in apparent disorder. The Big Bang itself may not be the origin of the universe but rather a moment of intense coalescence within an ongoing cosmic cycle—a consubstantial event that constantly recycles energy and information.
6. The Cycle of the Universe and Consciousness
The final idea—the universe’s cyclical nature, as symbolized by the Big Bang—suggests that consciousness itself may be cyclical, forever oscillating between the known and the unknown, the seen and the unseen. Just as the universe continually cycles through periods of emergence and absorption, consciousness also cycles between states of awareness and unawareness, between revelation and concealment.
Expanding on this idea, one might argue that consciousness is itself the unifying thread that connects all forms of energy, light, and information. It is both the medium and the measure of existence, oscillating between different states of potentiality and actualization.
Conclusion:
This text is an intricate tapestry of ideas, blending physics, philosophy, and metaphysics. By refining and expanding on the themes of light as consciousness, energy as change, symbolism and meaning, and chaos as design, we can further explore the interconnectedness of all things and the infinite potential of reality itself. The journey between chaos and order, between the known and the unknown, is, in essence, the journey of consciousness itself—forever evolving, forever seeking understanding, and forever participating in the grand design of the universe.
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"Sulfur gas inside the ball was heated up to a temperature of 5,000 degrees Fahrenheit (that's 2,760 degrees Celsius) to produce sound waves that acted like an extremely strong gravitational pull, generating currents in the hot weakly ionized gas (or plasma).
The end result was plasma convection, where gas cools as it nears the surface of a body such as a planet, before dropping back towards the core, where it reheat and rises again. The flowing gas generates its own magnetic field, which in stars would form the foundation of various forms of space weather."
Physicist advances a radical theory of gravity Paul Ratner August 14, 2019
Quantum superposition begs us to ask. "What is real?" Marcelo Gleiser January 11, 2023
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Design Hypothesis:
Consciousness is conceptual, illusional, symbolic, metaphoric and virtual in character. Consciousness is the quintessential archetype. Consciousness is the concomitant consequence associated with a rang of multidimensional patterns of energy in motion whose origin rest beyond the subconscious.
Awareness brings forward a "sense of consciousness" by fostering correspondences and fusing the concept of meaning and purpose. Metaphysical in content and context, quantum, fractal and holographic in re-presentation, all forms of energy/Life are revealed and made apparent by means of Design. Design is lovingly veiled in all that can be seen, known, measured and/or felt. (07.09.2023)
Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown. the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood. (01.13.2023)
In design both meaning and purpose infuse each other. Within every meaning a purpose and every purpose a meaning.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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"To believe is to accept another's ruth.
To know is your own creation."
Anonymous
Edited: 01.25.2023, 01.26.2023, 01.30.2023, 02.08.2023, 02.11.2023, 02.14.2023, 02.26.2023, 03.18.2023, 04.17.2023, 04.22.2023, 04.29.2023, 05.07.2023, 05.11.2023, 06.19.2023, 07.31.2023, 08.06.2023, 08.11.2023, 08.18.2023. 09.22.2023, 10.28.2023, 11.02.2023, 12.05.2023, 01.10.2024, 01.31.2024, 02.05.2024, 03.17.2024, 07.16.2024, 08.14.2024, 05.07.2025
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author and URL is included as the source and shared on a non-commercial basis. Please note ... posts are continually being edited. Copyright © 2023 C.G. Garant. AI usage prohibited.
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/*]]>*/ * 0.Preface * I.Introduction * II.Special Relativity * III.Need for a Quantum Theory * IV.Quantum Theory
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