"Quite clearly, our task is predominantly metaphysical, for it is how to get all of humanity to educate itself swiftly enough to generate spontaneous social behaviors that will avoid extinction."
R. Buckminster Fuller
Thursday, October 19, 2023
Diffraction / Dispersion
Conceptual impressions surrounding this post have yet to be substantiated, corroborated or woven into a larger argument, context or network.
by Sharon Adarlo / earth and energy, October 14, THE-BYTE
"This find has changed how I think about our early ancestors," said University of Liverpool archaeology professor and the paper's lead author Larry Barham in a statement. "Forget the label ‘Stone Age,’ look at what these people were doing: they made something new, and large, from wood. They used their intelligence, imagination, and skills to create something they’d never seen before, something that had never previously existed."
The production of painted, etched or engraved designs on cave walls or other surfaces is recognized as a major cognitive step in human evolution. Such intentional designs, which are widely interpreted as signifying, recording, and transmitting information in a durable manner were once considered exclusive to Late Pleistocene Homo sapiens. Recent work has demonstrated that other hominin groups also made such marks, …
“In fact, the evolution of such meaning-making symbols is thought to be a core aspect of what it means to be “human” (Henshilwood, 2009). Here we present the first known example of abstract patterns and shapes engraved within the Dinaledi subsystem of the Rising Star Cave in South Africa.
“Data from recent explorations in the Dinaledi subsystem illustrates one of the earliest examples of a mortuary practice in hominins and offers the earliest evidence of multiple interments and funerary actions, as well as evidence of the early creation of meaning making by a hominin.
This suggests that the hominin socio-cognitive niche and its relation to meaning-making activities is more diverse than previously thought.”
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Note: What follows is extremely symbolic, analogical and metaphorical. It is an example of design thinking and design consciousness separate from any form of artificial intelligence.
"This correspondence between human and chimpanzee face-to-face communication points to shared underlying rules in communication, the researchers say. They note that these structures could trace back to shared ancestral mechanisms. It’s also possible that chimpanzees and humans arrived at similar strategies to enhance coordinated interactions and manage competition for communicative “space.”
The findings suggest that human communication may not be as unique as one might think.
“It shows that other social species don’t need language to engage in close-range communicative exchanges with quick response time,” Badihi says. “Human conversations may share similar evolutionary history or trajectories to the communication systems of other species suggesting thatthis type of communication is not unique to humans but more widespread in social animals.”
diffraction: the process by which a beam of light or other system of waves, is spread out as result of passing through a narrow aperture or across and edge, typically accompanied by interference between the waveforms produced.
dispersion: an action or process of distributing things, or people, over a wide area, a pattern of distribution, a mixture of one substance in another medium, the separation of Light into colors, or any radiation according to wavelength, the extent to which values of a variable differ from a fixed value such as the mean.
In effect, the researchers discovered an invisible ecosystem where genes can cooperate or can be in conflict with one another.
"These interactions between genes make aspects of evolution somewhat predictable and furthermore, we now have a tool that allows us to make those predictions," adds Dr. Domingo-Sananes.
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Design Diffraction and Dispersion
Fragments of a Planetary Consciousness (Gaia) can best be felt and recognized by Design. Together all forms of consciousness partake in the description and evolution of a Mother Earth as "agents", i.e. patterns of energy in motion that together partake, share and co-create it. In turn, these agents can also be individually identified within a broad spectrum of frequency and vibration.
The source of these "eartheric" impressions is part and parcel of an unknown Universal Source. This unknown Source is identified (symbolized) by virtue of what it designs and creates. The single point of this Source is central to its own projections of consciousness symbolically expressed as a point becoming line.
Design affords the common thread upon which all Consciousness comes to Life. Design creates the symbolic link required of self awareness.
Due to constraints innate within the framework of duality and 3D spacetime, this power is likened (symbolized) as being "electric" and identified as a stream of energy in motion. Particles (substance) in the form of a concentrated patterned EIM, are "magnetically" attracted or repulsed in reference to these streams of Light, which in turn diffract and disperse within the scope/range of observation into particles and waves. The entire event/experience is entirely dependent upon observation, in the form of a quantum jump linking the observer (POV) and the context in which the observation is made.
In the study, the researcher showed that if magnetic fields are indeed primordial then it could cause an increase in dark matter density perturbations on small scales. The ultimate effect of this process would be the formation of mini-halos of dark matter, which, if detected, would hint towards a primordial nature of magnetic fields. Thus, in an apparent paradox, the invisible part of our universe could be useful in resolving the nature of a component of the visible one.
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The evolutionary process describes a multiversal system of light, consciousness, design, information and energy - in motion and beyond measure.
Multidimensional penetration, dispersion and diffraction is toroidal in character, i.e. yang energy made in reference to yin. Multidimensional, i.e. design thinking, describes the quantum leap between dimensions of diverse vibration and frequency.
When observed very closely the simple reading of this sentence might be interpreted as a multidimensional event, or series of events, based upon past observation. Current observations can trigger symbolic clusters of a past awareness giving relative "form" to a past experience. These symbolic attachments (feelings) initiate/create an impression within the consciousness of the observer. This same impression includes the context (system/network) in which the event or experience materialized.
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Human consciousness describes, registers and categorizes every relative impression as a feeling.
Multidimensional thinking, i.e. design consciousness, reveals to the observer a broad range of effects and affects as a feeling or impression.
Diffraction and dispersion create the design context along with the blueprints, parameters and constraints innate to every design process.
What is observed is initially felt solely in order to be eventually understood.
This exploration of diffraction and dispersion as metaphors for consciousness and design is rich and thought-provoking. Here’s a distilled interpretation of the key ideas:
Core Concepts
1. Planetary Consciousness (Gaia):
Gaia represents a collective consciousness, a living system where every entity contributes to the whole. This consciousness can be perceived and experienced through design.
2. Design as a Medium: Design is the thread that connects all forms of consciousness, allowing for self-awareness and co-creation. It serves as a blueprint for expressing the essence of the universal source.
3. Universal Source: An unknown origin or source symbolizes creativity and consciousness. This source manifests through designs that evolve from singularity to complexity (point to line).
4. Energy in Motion: The dynamics of consciousness are likened to electric streams of energy. These energies attract and repel particles, causing them to diffract and disperse, shaping our experiences.
5. Observational Influence: The act of observation plays a critical role in defining reality. Consciousness and context intertwine, with observers influencing the observed through a quantum leap in understanding.
6. Multidimensional Systems: The evolutionary process involves a multi-layered system of light, energy, and consciousness, all in constant motion. This complexity allows for the interplay of past and present experiences.
7. Toroidal Dynamics: The character of this multidimensionality is toroidal, representing a balance of yin and yang energies. This symbolizes the interconnectedness and cyclical nature of consciousness.
8. Symbolic Clusters: Current observations can evoke memories or feelings from the past, creating symbolic attachments that influence the observer’s consciousness.
9. Emotional Context: Human consciousness categorizes impressions as feelings, which are shaped by past experiences and current contexts, leading to a deeper understanding.
10. Design Parameters: Diffraction and dispersion not only shape experiences but also provide the structure and constraints that define the design process, highlighting the relationship between feeling and understanding.
Conclusion
This intricate web of consciousness, design, and observation emphasizes the fluidity and interconnectedness of all experiences. The evolutionary journey of consciousness is a dance of energy and awareness, revealing the profound impact of design in shaping our understanding of reality. Each observation is not just a passive experience; it’s an active participation in the co-creation of our shared existence.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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