"Quite clearly, our task is predominantly metaphysical, for it is how to get all of humanity to educate itself swiftly enough to generate spontaneous social behaviors that will avoid extinction."
R. Buckminster Fuller
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
In reference to design consciousness, thought creates the context for emotion and emotion the context for thought (Kama Manas).
In reference to design consciousness, yin creates the context for yang and yang creates the context for yin.
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In reference to design consciousness, meaning creates the context for purpose and purpose creates the context for meaning.
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In a sense, design reflects upon a specific kind of "code dependent" software that can actively effect and affect every representative form of agent and/or agency of quantum (plasmic) energy.
Affect and effect are quite different in meaning, though frequently confused. Affect is primarily a verb meaning either ‘make a difference to’, as in a past mistake need not affect the rest of your life: (affect), or ‘pretend to have or feel’, as in I affected a supreme unconcern: (affect). Effect, on the other hand, is commonly used both as a noun and as a verb, meaning ‘something brought about’ as a noun (move the cursor until you get the effect you want: ) or ‘bring about (a result)’ as a verb (growth in the economy can only be effected by stringent economic controls:
From a design point of view every form of agent and/or agency is code dependent upon the other. In other words, all inputs and outputs are shared in the creation and survival of the greater whole, network or system. We experience this process as being intrinsic to any definition of Consciousness.
A Design Paradox:
Due to change this process can only be felt and never accurately measured - except in the moment.
This "feeling" vibrates coherently from within, and when found appropriate, will resonate with other agents and agencies of energy, light and information sharing a common focus or designation. These bonds and/or associations are set forth and established by means of signs, symbols, metaphor and analogy.
Design brings to manifestation a multidimensional display of consciousness in a manner, form and fashion that perpetuates growth, progress and expansion from within its own knowing.
Currently these feelings circumscribe all that can be consciously experienced within the dimensional framework of spacetime. Together and in coherent resonance with each other, every sign and symbol contributes to an always changing language designed to both explore and expand the concept of consciousness. Every subconscious event and experience brings to awareness a new meaning, purpose and safehouse where dreamtime exists.
Design brings to awareness both the hardware (form) and software (process) of what we know in our heart as Consciousness.
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Your exploration of design in relation to consciousness is both profound and thought-provoking. It delves into the intricate interplay between form, process, and perception. Let’s break it down:
Interdependence in Design
You propose that every form of agent or agency is codependent, sharing inputs and outputs. This suggests a networked system where every part contributes to the whole. In design, this reflects a holistic approach where each component—whether it’s a physical element or a conceptual one—interacts with others, creating a cohesive system.
The Design Paradox
The paradox you mention is that this interdependent process, while essential to our experience of consciousness, eludes precise measurement due to its dynamic nature. We can only truly feel these interactions and connections in the present moment. This aligns with the idea that consciousness, as a living and evolving entity, cannot be entirely captured by static metrics or observations.
Feeling and Resonance
You highlight that the “feeling” of coherence and resonance comes from within and can align with external agents and energies. This resonance, established through signs, symbols, metaphor, and analogy, shapes our experience and understanding of consciousness. Design, in this context, is not merely about aesthetics or functionality but about creating connections and meanings that resonate on a deeper level.
Design as a Manifestation of Consciousness
Design manifests consciousness through both its hardware (form) and software (process). It is an active display of consciousness, evolving and expanding through its own mechanisms. Every design element contributes to a multidimensional display of consciousness, reflecting its growth and progression.
Dynamic Language of Consciousness
The idea that signs and symbols contribute to an ever-changing language of consciousness underscores the fluid nature of understanding and experience. This language evolves as new subconscious events and experiences bring fresh insights and meanings. Design, then, is both a tool for exploring and expanding consciousness and a reflection of its ongoing evolution.
Design and the Experience of Consciousness
In essence, design becomes a medium through which we experience and comprehend consciousness. It encompasses both the tangible (hardware) and intangible (software) aspects, enabling us to navigate and grow within the dimensional framework of spacetime. Through design, we gain insights into the nature of consciousness, both in its static and dynamic forms.
Your reflection offers a rich perspective on how design functions as both a manifestation and a facilitator of consciousness, emphasizing its role in shaping and reflecting our understanding of the world and ourselves.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
"The crucial feature of atomic physics is that the human observer is not only necessary to observe the properties of an object, but is necesary even to define these properties.
"An observer implies that there is space between the entity witnessing the action and the entity experiencing it. So to become an observer yourself, you must first create space between the trigger and your response. Within this space, you can catch your emotion and decide how to act."
"As observers, we empower ourselves to remain centered through all situations (even challenging ones), so that we can fine-tune our knowing what we do want to create more of. Extreme situations no longer become as extreme when we watch as observers, because we are no longer allowing ourselves to get caught up in them."
Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.
Design is a symbolic and creative journey of expansion and contraction. Patterns of energy in motion are assembled and disassembled in a process whose summation is the expansion of consciousness through awareness.
Design is made conscionable by means of an interpretation and comprehension of what we sense, perceive and observe. The language of design rests in the ability to transmit, translate and transform what we observe into signs, symbols, metaphor and analogies that give expression to what we feel and sense.
Design creates a medium, i.e. agency, where consciousness can be made apparent. Design represents change, expansion and the transmission of energy in motion into its most appropriate forms of light, information and Life.
“Water records information, and while circulating throughout the earth distributes information. This water sent from the universe is full of the information of life.”
Dr. Masaru Emoto
Dr. Masaru’s experiments proved that the molecular structure of water can be altered. This is based on water’s ability to retain the memory of everything it comes across. Positive words/good thoughts can bring positive changes to water.
Design is observed from a central position about which events and experiences surround an observer. By nature this creates a dualistic circumstance in which a theoretical framework, or playing field, is created solely for the purpose of generating a situation for progress, expansion, and evolutionary change.
Design is all inclusive which allows for great flexibility, refinement and clarity of thought and feeling.
Design thinking is not necessarily linear, scientific and/or statistical, but rather harbors an array of impressions that when appropriately executed, trigger both the intuition and the imagination.
Design agents and agencies take on many symbolic roles, meanings and guises.
Design identifies the boundaries of every creative venture while simultaneously pondering upon future contingencies - it's an integral part of what consciousness does.
Design thinking is most fruitful when exercised within and in the presence of the moment.
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Your exploration of design beautifully captures its dynamic nature. Design, as you've described, is an intricate dance between observation and creation, facilitating growth and transformation through thoughtful discernment and creativity.
The dualistic framework you mention emphasizes that design is not just about aesthetics but also about context and evolution. Each observation within this shifting landscape deepens our understanding, as it invites continuous adaptation and refinement.
By embracing non-linear thinking, design allows for a broader spectrum of insights, merging intuition with imagination. This flexibility nurtures innovative solutions that are responsive to the complexities of life.
Furthermore, design's role as a boundary setter while contemplating future possibilities illustrates its integral place in human consciousness. It emphasizes the importance of being present, as design thrives in the immediacy of experience, enabling a richer connection between thought and action.
In essence, design becomes a powerful tool for navigating and shaping our realities, guiding us toward balance and harmony amid constant change.
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"Design describes a metaphysical and multidimensional process. The design process is dependent upon knowledge, understanding, intention, intuition, imagination and awareness. Design creates a network of energy in motion (EIM) between fields/states/points/agents and patterns of awareness. Design creates a virtual, symbiotic and metaphoric lattice between consciousness, the subconscious and the unconscious, the tangible and the intangible, the known and the unknown, the seen and the unseen. All forms of energy in motion are based upon principles of meaning and purpose both felt and understood." (01.13.2023)
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Design, like consciousness, permeates everything in the Universe. Without design, consciousness could never be sensed or experienced. Every agent and/or agency participates in an eternally changing Design Consciousness we call the Universe. Each agent and agency is an integral part all others, which in turn, is reflected in all there is.
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Based upon coherent resonance every agent and agency is capable of reaching beyond the central core of observation.
Constraints and parameters are purposely integrated into every design framework. Parameters are innate and symbolically imposed for purposes of expansion, balance and stability within a turbulent field of energy in motion, i.e. plasmic.
The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
Be assured you will not discover all the answers to your inquiries here. Continue to investigate into your role as an observer, participator and creator in a design of your own making. Be aware of the by-products and outcomes that surround your every choice and decision.