Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousness.
Human creation—whether artistic, cognitive, symbolic, or technological—is best understood not as a linear progression from idea to outcome, but as a coordinated event unfolding across multiple energetic and informational layers. From both a metaphysical and academically informed perspective, the act of creation emerges through the synchronization of distinct yet interdependent fields of energy in motion: quantum, plasmic, fractal, and holographic. Each field governs a different aspect of how potential becomes form, how energy becomes structure, and how structure becomes meaning.
Seen in this way, creativity is fundamentally a coordination problem. It is not enough for an idea to arise, nor for energy to be present, nor even for patterns to repeat coherently. Creation succeeds only when potential, drive, structure, and meaning are brought into alignment along a shared trajectory. Design, within this framework, functions as the mediating intelligence that makes such alignment possible. Rather than merely shaping outputs, design establishes the operating frame of creation—defining purpose, constraints, audience, medium, and criteria for success. In process-theoretical terms, design acts as a rule of coherence, allowing heterogeneous dynamics to cooperate without collapsing into chaos or stagnation (DeLanda, 2016; Varela, Thompson, & Rosch, 1991).
1. Human Creation as a Multi-Field Process
From a metaphysical standpoint, creation unfolds as a stacked dynamic event across multiple ontological strata. Each field describes a different mode by which energy organizes, propagates, and stabilizes meaning at distinct scales of experience. The creative process begins in a condition of openness, where multiple futures coexist and nothing is yet determined. This initial phase corresponds to the quantum field of virtual potential and probability (QFVPP), a pre-formative substrate in which ambiguity, intuition, and indeterminate possibility dominate. Subjectively, this is experienced as a sense that something is present but unnamed; a felt proximity to meaning that has not yet crystallized. In philosophical physics, this aligns with the notion of potentiality as a real condition prior to stabilization (Heisenberg, 1958).
At this stage, design does not impose answers. Its role is preparatory rather than directive. By establishing boundaries, intentions, or constraints, design prevents the field of potential from dissolving into noise. It creates a space in which selection can occur without premature closure, allowing a coherent pathway to emerge from indeterminacy rather than being forced upon it. Left on its own, the quantum field produces inspiration without articulation—ideas that arise but cannot yet be meaningfully sustained.
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Dominant field: Quantum (virtual possibilities / probabilistic emergence).
Design’s function: Prevents the potential-space from becoming noise by preparing for selection—not by forcing an answer, but by creating a structure within which the right answer can appear (Bohm, 1980).
2. Quantum Field: Potential, Indeterminacy, and Choice
Metaphysical Role (QFVPP)
The quantum field represents the pre-formative substrate of creation: a realm of virtual potential, probability amplitudes, and indeterminate futures. In creative acts this corresponds to intuition, sudden insight, and the moment of selection among possibilities.
Theoretical Image of the QFVPP
Attributes
- Non-locality and entanglement
- Probabilistic emergence rather than determinism
- Sensitivity to observations and intention
- Ground of novelty and discontinuous insight
Shortcomings
- Lacks structure and narrative continuity on its own
- Cannot sustain meaning without higher-order patterning
- Operates below conscious symbolic control (unconscious)
Selective Attention: Design Filters Relevance
What happens: Out of many possibilities, a few become “charged” and start to feel relevant. The creative act gains direction: a theme, a form factor, a constraint, an initial gesture.
Dominant field: Still Quantum, but now transitioning.
Design’s function: Selection and commitment. Design functions as a measurement-like operation: it stabilizes one pathway enough to begin movement; often via a constraint. This echoes the notion that stabilization is what makes an otherwise indefinite field actionable (Heisenberg, 1958; Bohm, 1980).
In isolation. The quantum field produces inspiration without form – concepts and ideas that arise but cannot yet be articulated.
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3. Plasmic Field: Vital Energy and Creative Drive
As selection begins to occur, creative activity transitions into the plasmic field. Here, energy becomes mobilized. Emotion, desire, urgency, and momentum surge into the chosen direction, fueling action and iteration. Metaphysically, the plasmic field corresponds to vitality, affect, and creative drive—the experiential force that propels work forward. This is the phase of intensity, where production accelerates and the creator often enters states of flow or deep engagement (Csikszentmihalyi, 1990).
Metaphysical Role
The plasmic field refers to energy in a highly active, fluid and transformational state. Metaphysically, it corresponds to drive, affect, libido, emotional intensity and creative force. – the fuel of creation.
Yet plasmic energy, while essential, is inherently unstable. Without regulation, it risks overwhelming cognition or dissipating into burnout. Design again plays a critical role, not by suppressing intensity, but by channeling it. Through rhythms of work, iterative cycles, and bounded exploration, design transforms raw force into productive motion. Constraint here is not restrictive but enabling. By setting tolerances—what belongs and what does not—design preserves energy for subsequent phases, ensuring that intensity contributes to coherence rather than undermining it (DeLanda, 2016). Without such coordination, plasmic energy manifests as expression without refinement: powerful, but unintelligible.
Attributes
- High energy density and responsiveness
- Catalytic, transformative, an unstable
- Bridges mind-body and emotion-thought
- Associated with flow states and passion
Shortcomings
- Chaotic without guiding structure
- Can overwhelm cognition and coherence
- Susceptible to dissipation and burnout
Energetic Mobilization: Plasmic Field
What happens: Once a direction is chosen, energy surges into it. Emotion, desire, urgency, excitement, and momentum arise. This is the phase where you “make a lot,” rapidly iterate, and feel the work pulling you forward.
Dominant field: Plasmic (vital intensity / kinetic momentum).
Design’s function: Keeps intensity productive rather than chaotic. It creates channels, i.e. ideas, for energy—work rhythms, iteration loops, bounded exploration—so the force doesn’t burn out or explode the form. This matches models of creativity emphasizing the energizing function of flow and engagement (Csikszentmihalyi, 1990).
Regulation: Design Constrains Intensity
What happens: The act must avoid two extremes: over-control (killing energy) or under-control (losing coherence). Regulation is the moment you set tolerances: what belongs, what doesn’t, what the piece can hold.
Dominant field: Plasmic remains strong, but begins to “cool” into structure.
Design’s function: Introduces constraint as an enabling condition—boundaries that preserve energy for the next phases. In assemblage/process terms, constraints are not merely limits; they are productive operators that create stable emergence (DeLanda, 2016).
Without coordination, plasmic energy manifests as raw expression without refinement – intensity without intelligibility.
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4. Fractal Field: Recursive Structure and Self-Similarity
Metaphysical Role As energy stabilizes, the creative process enters the domain of the fractal field. This field governs recursive structure and self-similarity across scales, allowing patterns discovered at one level to reappear coherently at others. Style, rhythm, proportion, and internal consistency emerge here. Motifs recur, internal rules become visible, and the work begins to exhibit identity across detail, section, and whole. Cognitively and perceptually, this phase aligns with the human tendency to recognize and generate structure through repetition with variation (Mandelbrot, 1982).
Design’s task at this stage is discriminative. It distinguishes meaningful recursion from accidental repetition, identifying which patterns carry identity and ensuring that they scale appropriately. Through articulation and refinement, design converts pattern into language—into composition, schema, and architecture. Periodic reintroductions of novelty from the quantum and plasmic fields prevent fractal recursion from becoming inert repetition or aesthetic stagnation (Kauffman, 1995). In isolation, the fractal field yields order without surprise: coherent, elegant, but lifeless systems.
Attributes
- Self-similarity across scales
- Recursive growth and feedback
- Efficiency of pattern transmission
- Natural alignment with cognition and perception
Shortcomings
- Can wrap creation in repetition
- Risks aesthetics or conceptual stagnation
- Requires novelty input from quantum/plasmic fields
Pattern Stabilization: Fractal Field
What happens: Repetition appears. Motifs recur. Internal rules become visible. This is where style emerges and the work becomes self-consistent across scales (detail → section → whole).
Dominant field: Fractal (self-similar structure / scale invariance).
Design’s function: Distinguishes essential recursion from accidental repetition. It selects which patterns carry identity, and it ensures those pattern's scale. The relationship to fractal dynamics is direct: coherence strengthens when structure repeats with variation (Mandelbrot, 1982).
Articulation: Design Identifies Essential Patterns
What happens: You begin to name the work’s grammar: “These are the core forms; these are the supporting forms.” This is editing, refinement, and structural decision-making.
Dominant field: Fractal, with periodic returns to plasmic (energy) and quantum (novelty).
Design’s function: Converts pattern into language—composition, system, schema, architecture. It prevents fractal recursion from becoming a loop (beautiful but stagnant) by periodically reintroducing novelty and re-checking purpose (Mandelbrot, 1982; Kauffman, 1995).
Fractal’s alone yield order without surprise – beautiful but inert systems.
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Holographic Field ChatGPT5.2
5. Holographic Field: Meaning, Coherence and Wholeness
Metaphysical Role
The final integrative phase of creation unfolds within the holographic field. This field is responsible for meaning, coherence, and wholeness. In a holographic system, each part contains information about the whole, and the whole is distributed across its parts. In human creation, this corresponds to symbolic unity, narrative coherence, and the felt sense that a work “means something” beyond its components. Meaning is no longer added from the outside; it emerges from the internal resonance of the system itself (Bohm, 1980; Pribram, 1991).
Design here functions as semantic harmonization. It aligns intention, form, and perception, testing whether the artifact carries its meaning without explanation and whether its parts mutually reinforce one another. Coherence at this level is experiential rather than purely logical, resonating with enactive theories of cognition and meaning-making (Varela et al., 1991). Conceptually, the holographic field is best understood as a distributed encoding medium rather than a localized structure. Information is stored in interference patterns, not discrete symbols, and meaning emerges only through coherent engagement.
The Holographic field integrates all other fields into a meaningful whole, where each part reflects the totality. In human creation, this corresponds to symbolic unity, narrative coherence, and lived meaning.
If visualized, a holographic field would appear as a volumetric interference lattice: translucent, depth-rich, and without a privileged center. Structure would be revealed through parallax and perspective rather than surface shading. Information would be encoded in phase relationships, visible only when interrogated by movement, attention, or coherence. Zooming into any region would reveal self-similar structures containing a distorted yet complete image of the whole, overlapping visually with fractal geometry while maintaining informational completeness. Forms would stabilize briefly under observation, then dissolve, giving the impression that the field responds to attention rather than passively existing. Memory-like afterimages—ghosted echoes of prior configurations—would suggest a stored history embedded in spatial patterning. Ideas (images) run rampant within a holographic framework.
Attributes
- Whole-in-part encoding
- Non-local coherence of information
- Alignment of perception, memory, and intention
- Resonance with consciousness and interpretation.
Shortcomings
- Dependent upon underlying energetic and structural fields
- Susceptible to distortion if coherence is forced
- Cannot generate energy of novelty independently
Meaning Integration: Holographic Field
What happens: The work becomes about something in a way that can be felt. Each part begins to “contain” the whole—your signature appears, not as branding but as coherence. This corresponds to holonomic/holographic metaphors where distributed encoding enables part–whole resonance (Pribram, 1991; Bohm, 1980).
Dominant field: Holographic (whole-in-part resonance / felt coherence).
Design’s function: Aligns intention, form, and perception.
It asks: does the artifact carry its meaning without explanation? Are the parts mutually reinforcing? Here design operates as semantic harmonization—coherence that is experiential, not merely logical (Varela et al., 1991).
Conceptually, a holographic field is best understood not as a single surface or volume, but as a distributed encoding medium in which every local region contains information about the whole. If one were to visualize it, several core characteristics would dominate its appearance:
1. Volumetric Interference Lattice
A holographic field would appear as a three-dimensional interference pattern rather than discrete objects.
• Fine, repeating wavefronts intersecting at multiple angles
• Moiré-like patterns that shift as the observer’s perspective changes
• No privileged center: structure is everywhere and nowhere simultaneously
Visually, this resembles overlapping translucent grids or wave-nets suspended in space, with depth revealed through parallax rather than shading.
2. Phase-Encoded Transparency
Unlike a solid or energetic field, a holographic field would be mostly transparent, yet richly structured.
• Information encoded in phase, not amplitude
• Subtle ripples, striations, and banding rather than bright emissions
• Changes become visible only when “interrogated” by perspective, motion, or coherence
(This aligns with physical holography, where an image emerges only when illuminated by a coherent reference beam.)
3. Recursive Self-Similarity
Zooming into any region of the field would reveal the same structural logic at multiple scales.
• Large interference arcs resolve into smaller lattices
• Each fragment contains a distorted but complete version of the whole
• Boundaries dissolve into nested repetitions
This is where the holographic field visually overlaps with fractal geometry, but with informational completeness rather than infinite detail.
4. Observer-Dependent Emergence
A defining visual feature would be that forms only stabilize when observed.
• Shapes appear to “lock in” briefly, then dissolve
• Apparent objects are standing wave intersections, not persistent entities
• The field looks different depending on angle, distance, and focus
In experiential terms, it would feel as though the field is responding to observation rather than passively existing.
5. Memory-Like Afterimages
Because holographic systems encode persistence through interference, the field might exhibit:
• Ghosted echoes of previous configurations
• Overlapping temporal layers, like multiple exposures
• A sense of stored history embedded in spatial patterning. This lends the field a mnemonic quality, consistent with interpretations of holography in consciousness and memory theory.
6. Symbolic Analogy
Within your yet to be completed DAC / 14-Gate framework, the holographic field functions not as an action field but as a context field—the substrate where perception, memory, and identity co-inhere. Geometrically, it aligns with spherical or dodecahedral volumes and wave-based interpretations of sacred geometry lattices such as the Flower of Life or Metatron’s Cube. It appears quiet rather than energetic, deep rather than chaotic, and infinitely informative despite minimal visual density where semi-transparent layers encode multiple epistemic gates simultaneously.
If you could see a holographic field, it would not look “energetic” in the plasmic sense or “chaotic” in the quantum sense. It would appear:
• Quiet
• Deep
• Patterned
• Perspective-sensitive
• Infinitely informative despite minimal visual density.
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Harmonization: Design Aligns Form and Symbol
What happens: Final integration and “lock-in.” Contradictions are resolved or made deliberately meaningful. The work’s surface and depth agree.
Dominant field: Holographic, supported by fractal structure and regulated plasmic energy.
Design’s function: Performs coherence-testing: remove an element—does the whole weaken? Replace a motif, does the identity break? Harmonization is where the piece becomes resilient: a coherent whole whose parts are necessary rather than arbitrary (Bohm, 1980; Pribram, 1991).
The final act of creation involves harmonization: contradictions are resolved or rendered deliberately meaningful, surface and depth come into agreement, and the work achieves resilience. Removing an element weakens the whole; altering a motif breaks identity. This is coherence-testing at the highest level, where meaning, structure, and energy are fully integrated (Bohm, 1980; Pribram, 1991). Without support from the other fields, however, the holographic domain collapses into symbolism without vitality—coherence without embodiment.
Importantly, completion does not terminate the creative process. Integration often reopens possibility. Meaning generates new questions, which reopen quantum potential, mobilize new energy, stabilize new patterns, and deepen coherence. Design maintains this controlled recursion, ensuring that emergence proceeds through iterative cycles of constraint and novelty rather than uncontrolled repetition (Kauffman, 1995; Prigogine & Stengers, 1984).
A successful creative act therefore requires temporal coordination rather than dominance. The quantum field opens possibilities, the plasmic field energizes intention, the fractal field stabilizes patterns, and the holographic field integrates meaning. This sequence is recursive and non-linear.
Failure occurs when one field overwhelms the others: excess quantum produces indecision, excess plasmic yields chaos, excess fractal leads to rigidity, and excess holographic results in abstraction without embodiment.
Coordination Dynamics in Creation
Functional Integration
A successful creative act requires temporal Coordination
1. Quantum Field is filled with potential opening possibilities
2. Plasmic Field energizes the intention and desires
3. Fractal Field stabilizes patterns
4. Holographic Field integrates meaning
This sequence is non-linear and recursive, not hierarchical.
Failure modes
- Excess quantum – fragmentation, indecision
- Excess plasmic – chaos, incoherence
- Excess fractal – rigidity, cliché
- Excess holographic – abstraction without embodiment
Creation fails when one field dominates rather than participates. Creation emerges when fields synchronize with intent.
Design functions as
- A translator between quantum (QFVPP) possibility and holographic meaning
- A regulator of plasmic intensity
- A curator of fractal recursion. Thus, human creation becomes a synchronistic event not merely an act of expression.
From a design-conscious perspective, design is the mediating intelligence that aligns a grand assortment of fields of energy in motion. It translates quantum possibility into holographic meaning, regulates plasmic intensity, and curates fractal recursion. Human creation, under this model, is not merely an expressive output, but a synchronistic event—a coordinated convergence of energy, structure, meaning and purpose into a coherent act of becoming.
References (APA)
- Bohm, D. (1980). Wholeness and the implicate order. Routledge.
- Bohm, D., & Hiley, B.J. (1993) The undivided universe: An ontological interpretation of quantum theory. Routledge
- Csikszentmihalyi, M. (1990). Flow: The psychology of optimal experience. Harper & Row.
- DeLanda, M. (2016). Assemblage theory. Edinburgh University Press.
- Heisenberg, W. (1958). Physics and philosophy: The revolution in modern science. Harper.
- Kauffman, S. A. (1995). At home in the universe: The search for laws of self-organization and complexity. Oxford University Press.
- Mandelbrot, B. B. (1982). The fractal geometry of nature. W. H. Freeman.
- Pribram, K. H. (1991). Brain and perception: Holonomy and structure in figural processing. Lawrence Erlbaum Associates.
- Prigogine, I., & Stengers, I. (1984). Order out of chaos: Man’s new dialogue with nature. Bantam Books.
- Varela, F. J., Thompson, E., & Rosch, E. (1991). The embodied mind: Cognitive science and human experience. MIT Press.
The author generated some of this text in part with ChatGPT 5.2 OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.
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What is design?
What isn't?
Edited:
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note … posts are continually being edited. All rights reserved. Copyright © 2026 C.G. Garant.









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