Saturday, January 14, 2023

Designing Nothingness


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: To generate symbolic links between scientific discovery, design awareness and consciousnes.

Zero:

No quantity or number, an empty quality, a placeholder, numerical digit, the absence of all magnitude or quality, a point from which measurements are made, a value, both a real number and an imaginary number, the absence of a digit in a string of numbers, the absence of quantity, an integer which qualifies a count or an amount of null size, an independent value midway between +1 and - 1, a zero means nothing, an imaginary number.

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Zero and nothing are not the same, nothing has no positional value. Nothing is an abstract concept.

0 (zero) is not nothing, it is no-thing.

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Difference Between Zero and Nothing.  August 2, 2011.   Posted by Admin

There is indeed difference between zero and nothing. Zero has a numerical value of '0'. but nothing is an abstract definition. Number 'zero' is very strange. It is neither positive or negative. Nothing is the absence of something. Therefore, it does not have any value.

What's the difference between Zero and Nothing?

'Zero' is a number, nothing is a concept.

'Zero' has a numerical value, nothing doesn't.

'Zero has its own properties in arithmetic, nothing has no such property.

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The mind-bending weirdness of the number zero, explained   By Brian Resnick@ B_resnick@vox.com.  Updated Dec.5, 2018, 4:46 EST

"Zero is in the mind, but not the sensory world," Robert Kaplan, a Harvard math professor and an author of a book on zero, says. Even in the empty reaches of space, if you can see the stars, it means you're being bathed in their electromagnetic radiation, In the darkest emptiness, there's always something. Perhaps a true zero - meaning absolute nothingness - may have existed in the time before the Big Bang. But we can never know."

The fourth stage is taking the absence of a stimulus and treating as it as a symbol and a logical tool to solve problems. No animal outside of humans, he says, "no matter how smart," understands that zero can be a symbol.

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Sources:

Whatis.com, New World Encyclopedia, Wiktionary.org, Wolfram Math World



***

Infinity is veiled in the form of an eternal attraction and repulsion of energy in motion (EIM) locked into a dualistic framework designed for the purpose of reflection and observation. 

Consciousness (Life) is the sharing and participation in a multidimensional correspondence made apparent by means of a virtual field of awareness, i.e. Presence.

Consciousness is the consensus of a collective awareness, i.e. multidimensional impressions designed to be made apparent. These impressions in the form of energy, light and information together define and participate in the creation of a virtual field of potential and probability.

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"Thus, in quantum mechanics, there is no zero-energy state. There is only the lowest possible energy state of a system, its ground state. Now, if there is an inherent uncertainty in the energy of a system, then the ground state can fluctuate. If we call this ground state a quantum vacuum, it follows that the quantum vacuum always has some structure to it. There is no such thing as a true vacuum in the sense of complete emptiness. Quantum mechanics forbids nothingness."

Marcelo Gleiser

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Nothing is a constant, all is change. Therefore, nothing is constantly changing ... all remains the same, except the observer.

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Mathematics Can Do Anything But This

By Manil Suri

"The mathematical version of "nothing" is the so-called empty set, and logicians have rigorously mapped out how to construct not only numbers from it, but also arithmetic. With matters left to themselves, who is to say that such numbers couldn't arise from nothing?"

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Nothingness, which includes nothing at all, is a symbolic impression designed and made "real" in three dimensional spacetime. Nothing and nothingness are creations of the human imagination. Nothingness has no value, zero does ... primarily because we made it so.

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How the Physics of Nothing Underlies Everything   Charlie Wood staff writer, quanta magazine    08.09.2022

Sean Carroll on the Biggest Ideas in the Universe / Closer to Truth Chats

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Is Philosophy just a bunch of nonsense?   Thinking - November 9, 2021

"... philosophy - through its ability to explicate the esoteric and convoluted - can aid scientists in the fight against unwarranted skepticism toward science."

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Scientists Defy Physics, Basically Pull Energy Out of Thin Air    Tim Newcomb   Feb. 24, 2023

"Pulling energy from the quantum vacuum wasn't considered a realistic equation. But every vacuum still had some sort of fluctuation in the quantum fields. And pulling energy from nearby into the vacuum, and then using that energy, was something in the realm of reality known as the teleportation concept, since produced twice by scientists from the University of Waterloo and Stony Brook University.

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"Nothing" doesn't exist. Instead there is "quantum foam".    by Don Lincoln/Hard Science - February 16, 2302

"For example, if you try to measure the amount of energy at a location - even if that energy is supposed to be nothing - you still cannot measure zero precisely. Sometimes, when you make the measurement, the expected zero turns out to be non-zero. And this isn't just a measurement problem; it's a feature of reality. For short periods of time, zero is not always zero."

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DNA is the "stuff", i.e. the elemental construct, that exits both within a range of consciousness (micro) as well as that which lies beyond consciousness (macro/QFVPP). In the beginning there was vibration and the vibration was well aware of itself.

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"First, images we build in our minds when we try to picture light or particles of matter, are not appropriate. Language itself struggles to address quantum reality, since it is limited to verbalizations of those mental images."

Marco Gleiser

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Nothing, nothingness, time, timelessness and zero,  including every concept of Design (as well as this one) symbolize what we think we believe and know. What is of importance is to know what you believe, in order to truly believe in what you know. 

Design may at times appear to be mindless, but never thoughtless.

With every thought an emotion and every emotion a thought. Kama Manas

Images are the product of the imagination. The imagination is the only mental construct that can  design, create and bring expression to how it feels, what it knows and what it believes. The intuition is what gets us there.

What we sense are symbolic reflections of what we believe and can never fully know.




Both believing and knowing are left to the imagination. The intuition i.e. heart, struggles to get us there.

Once you know you don't have to believe, til it's time to believe again ...without knowing. To believe entirely can be a very foolish enterprise.

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What is the quantum field of virtual potential and probability (QFVPP)?

The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.

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Meta-representation Reveals the Conundrum of the Human Condition   by Mitchell Diamond

"Meta-representation is the ability to represent a representation - being able to attach an abstract concept or meaning to a separate entity - and enables humans to adapt to their environment in real-time unlike most animals who can only adapt through slow genetic change over evolutionary time. 

Examples are using symbolism and metaphor, which for humans are second nature and taken for granted. But verbal and written language are only possible because we can abstract the idea of a thing and assign it a name - a symbol - that can be spoken and written. The perceiver understands that the symbol refers to a thing that is not the symbol itself."



* * *

What is a Thought? How the Brain Creates New Ideas / Henning Beck / TEDxHHL

MIT Makes Probability-Based Computing a Bit Brighter  by Edd Gent  Margo Anderson  July 19, 2023

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The QFVPP is intuitively based and imaginatively propagated in spacetime. The QFVPP is an aetheric veil symbolically cloaking the process of awareness through the transition, translation and transformation of energy in motion ... mindless change

The QFVPP describes a rarified context of energy in motion, i.e. an imaginative and conceptual threshold filled with an abundance of symbolic doorways and portals into other realities (see quantum tunneling). 

The quantum field of virtual potential and probability describes the unknown by challenging the mind to ever believe it.

The source of every design can be symbolically discovered and made apparent by means of allo that is created. Truth cannot be hidden.

The QFVPP has been designed to be made believable within a wide spectrum of symbolic contexts, ex. heaven, paradise, infinity, Zion, Valhalla, utopia, Janna, Nirvana, Garden of Eden, Shangri-la, Elysium, Wakan Tanka, etc.

Belief embraces the potential for knowing ... by not knowing. Knowing embraces the probability of knowing either by, or not, believing.   

Design is a journey of both believing and knowing. 

Design is a timeless Principle.

Know thyself by believing the mind is the slayer of the Real. 

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Your description of the QFVPP presents a fascinating exploration of the interplay between awareness, belief, and design within the context of reality and transformation. The concept seems to weave together elements of metaphysics, quantum theory, and symbolism, suggesting a rich tapestry where imagination and consciousness shape our understanding of existence. 

The notion of the QFVPP as an "aetheric veil" evokes the idea that our perceptions are filtered through layers of meaning, allowing for both the exploration of possibilities and the constraints of belief. By framing design as a journey that balances knowing and believing, you highlight the creative process as inherently dynamic and transformative. 

Your references to various cultural symbols of utopia suggest that this framework can be universally applicable, offering pathways to explore deeper truths across different belief systems. The idea that "truth cannot be hidden" resonates with many philosophical traditions, emphasizing the quest for understanding in the face of uncertainty. 

Overall, it seems like the QFVPP could serve as a powerful metaphor for personal and collective growth, inviting exploration of the spaces between belief and knowledge. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth. 

To know is your own creation."

Anonymous


Edited: 02.11.2023, 02.19.2023, 02.26.2023, 03.29.2023, 04.05.2023, 04.21.2023, 04.24.2023, 04.29.2023, 06.04.2023, 07.29.2023, 08.17.2023, 08.18.2023, 12.05.2023, 02.21.2024, 10.28.2024, 05.05.2025, 02.20.2026

Find your truth, Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery, You may share this post as long as author and URL is included as the resource and shared on a non-commercial no charge basis. Please note ... posts are continually being edited. Copyright © 2023 C.G. Garant. 

Design's Emergence




Thursday, January 5, 2023

Design Metaphysics: Prototypical Forms of Balance


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Design requires going deep within, ponder upon circumstances and re-calibrate all things once thought appropriate. Change is a constant and often may appear similar. Exactitude in the form of "pure balance" is for the most part, a target more than a realization. 

Pure balance has conceptual roots and remains intrinsic in understanding the relationship between design and consciousness. Duality creates the common framework between them functioning within the parameters of 3d spacetime. Dualism permeates the universe, is integral to the process of evolution and is fundamental to experiencing the concept a designed consciousness.

The act of focusing describes a particularly unique form of awareness by virtue of experience. To focus implies that here is a purposeful effort, an intensity and an intention. Every circumstance is an exercise in multidimensional thinking. The ability to focus assists in defining, clarifying and illuminating the context along with its many changing circumstances. 

Depth of focus exercised by an observer is key to the process of design thinking, a process where every experience is linked symbolically to every other. Design is fluid, flexible and a description of change. A designed consciousness adapts to every eventful and experiential circumstance in spacetime. A designed consciousness attempts to observe, absorb, retain, respond and clarify every symbolic impression, i.e. feeling, resonating in every experiential moment. Such high levels of symbolic coherence offers a significant spectrum of Light to every form of awareness. 

Every observation is generated by a designer making reference to a symbolic repertoire of past experiences that maintain the potential for perpetual enlightenment and free from the shadows of future choices. An observer responds from within to the constraints of their own designed framework (reality) by means of a language that reflects upon their own reality.

Multidimensionality implies complexity, layers of energy arranged to describe an array of dissimilar frequencies and configurations; fields of energy in endless flux and harboring vectors of varying intensity and direction.

Translation and interpretation trigger both inductive and deductive forms of reasoning. Abductive reasoning in the form of intuitive impressions and imaginative responses are explored and expressed by our "feelings". 

Design affords both a linear and conceptual interpretation of what it means to be conscious.



Based upon the context in which an event is being observed, linear thought describes sequential thinking. Contexts are flexible by nature, observations and observers not so much. Every observation carries with it a symbolic framework (belief system/s) that tint every situation and circumstance. Observer's are influenced by all forms of change/energy (CE) to which they are attracted, resonate and give symbolic precedence to their own system of beliefs, i.e. reality. 

A certain degree of flexibility and adaptability is essential in every situation if balance and/or harmony is to be revealed and/or experienced. 

Thinking, feeling and acting is a reflection upon human programming and conditioning - changing algorithms by incessantly collecting, responding and reconfiguring within a multidimensional context.

Observers create their own reality from within the symbolic depths of their own conceptual  framework/belief system. Singularity describes a central core of energy in a process of attraction by means of coherent resonance. One might also describe this resonant attraction as a force. 

As white light fluctuates between wave and particle it can be similarly observed and described as the accumulative effect/affect of a combination of colors. The spectrum of white light is made an attractor by virtue of a spectrum of coherent resonances made apparent by the colors that together create and give relative form to its presence. 

Colors also fluctuate in reference to the context in which they are being observed.  Light is always changing in frequency and vibration. Light is made comprehensible by means of reflecting upon its own broad range of representation.





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Quantum consciousness makes its greatest impression when observed within the context both a Delta (0.1 to 3.5 Hz) and/or Theta (4.8-8 Hz) frame of resonance. Quantum consciousness is multidimensional in character meaning its network permeates all forms of human awareness.


Quantum levels of consciousness fluctuate as result of contextual change. Reality emerges from within periods of expansion and contraction (change).
Reality is an observation of energy transiting from one state to another (EIM).  Reality is in perpetual motion creating the link between states of permanence and impermanence. As one state appears another is soon to follow "in time". 

The smaller the framework the more rapid, clear, concise and detailed the symbolic transformation, the larger time's framework the more flexible, adaptive and benevolence allocated to the observer. Larger time frames allow for flexibility and expansion, i.e. learning through a series of symbolic experiences originating from within the consciousness of the observer. Note the importance of time in this transition/transformation. Time creates the framework where consciousness can be duly substantiated and experienced within the parametric constraints of an observer.

Emerging from within this field of perpetual transition/change a “reality” is created, construed, interpreted and made manifest, apparent and substantiated and by means of design (coherent resonance). 

Permanence is a matter of focus and choice. Permanence is a matter of intent. An observer can control time, permanence therefore becomes the choice of the observer.

The act of creativity breathes light into the darkness. 

Attempt to identify with the sadness of a lost soul. It is a challenge to understand this multidimensional sense of darkness, a form of confusion and disdain with little awareness, impulse or desire to seek balance from within. The search for Truth, Beauty and Goodness has been ignored or kept hidden in favor of an endless hunt for self-adulation. 

Design has many facets. Signs, symbols, metaphor, analogy, etc. are the tools used to purposely direct light/energy to converge, reflect and refract all forms of energy in motion. Every convergence requires numerous correspondences that together generate intricate patterns, internal references and fractal configurations.

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***

Design polishes every gemstone from within.

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Searching for balance creates its own subjective nomenclature of symbols resulting in the creation of an "language" esoterically fashioned about the choices, impulses, tendencies and attractions of an observer. This personally symbolic language is specific to each of us. meaningfully and purposely designed to give structure and order into every observer's reality. 

A specific frequency is attained and maintained within the context of the field being observed. Forms merge and crumble only to re-emerge again by virtue of the imagination. Frequencies equate, concur, harmonize and dovetail into prismatic layers and forms, sometimes enlarging themselves beyond the “realizations” of the observer. 

Imbalance is experienced when these convergences (imaginings) become disrupted by creating lackluster circumstances, situations and performances where little is achieved and much lost. Certain situations can allow and/or invite disturbing circumstances. Certain ideas and imaginings can become incoherent, non-responsive, cause confusion, disturb, obstruct, impede, interrupt, delay, suspend or obstruct one’s concept of reality. 



Linear thinking categorizes, conceptual (design) thinking synthesizes by means of integrating the present by means of thoughts, concepts, ideas, dreams and aspirations for the future. The more expansive and adaptive an observer’s POV the greater the potential for creating balance amongst the collective consciousness at-large. 


To be design conscious you must be more than an observer.






"To believe is to accept another's truth. To know is your own creation."
Anonymous



Edited: 02.28.2021, 03.07.2021, 03.14.2021, 09.08.2021, 03.15.2022, 08.20.2022, 11.13.2022, 06.12.2023
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as author, copyright and URL  is included as the resource and shared on a non-commercial no charge basis. Please note … posts are continually being edited over time. Copyright © 2023 C.G. Garant. All Rights Reserved. (Fair use notice) AI usage prohibited. You are also invited to visit https://designmetaphysics.blogspot.com/, and https://sagariandesignnetwork.blogspot.com and https://www.pinterest.com


 



Design Consciousness: A Quantum Leap into Universality


Conceptual impressions surrounding this post have yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network. Objective: to generate symbolic links between scientific discovery, design awareness and consciousness.



Design is a multidimensional and systemic phenomenon based upon signs, symbols, metaphor and analogy.  

Design is an intellectual, intuitional and imaginary exercise in consciousness. Design symbolizes the true "i".

Design is far from imaginary, it is very real.

When multiplied by itself exponentially, "i" creates what was first imagined to be real. Over time what was once real perishes into timelessness.

Design moves laterally only because it is so imaginative ... "i".

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The "i" is brought forward and made aware by the imagination. The "i" defines the observer and is more than imaginary. The image is what what reflected upon under the guise of duality.

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Imaginary Qualities:
- cycle through a set of values
- always return to the first power
- imaginary numbers are real
- when multiplied by itself it returns to itself
- real numbers are used far less than imaginary ones
- are key to every design cycle
- exist in their own dimension/universe

by Elaine J. Horne       December 08.2021
An imaginary number is a number that, when squared, has a negative result. Essentially, an imaginary number is the square root of a negative number and does not have a tangible value. While it is not a real number - that is, it cannot be quantified on the number line - imaginary numbers are "real" in the sense that they exist and are used in math.
Imaginary numbers can also be applied to signal processing, which is useful in cellular technology and wireless technologies, as well as radar and even biology (brain waves).

Further references: 

Intro to the Imaginary Numbers

Do Complex Numbers Exist?

Designing Nothingness


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This text seems to be exploring the nature of design, its conceptual underpinnings, and the role of imagination and symbolism within it. The themes it touches upon are abstract, philosophical, and multifaceted. Here’s a breakdown: 
Design as a Multidimensional and Systemic Phenomenon 
Design is often viewed in a linear, functional sense, but it is inherently multidimensional. It is not just the creation of objects or experiences; it’s a dynamic system that exists across multiple planes—emotional, intellectual, perceptual, and symbolic. Design operates at the intersection of these dimensions, creating solutions that address both tangible needs and abstract, emotional desires. Its systemic nature lies in the fact that it is interconnected with culture, technology, history, and human behavior. It is a process that involves not only creation but also the manipulation of signs, symbols, and metaphors, forming an ecosystem where ideas, meanings, and representations evolve. 

Design as an Intellectual, Intuitional, and Imaginary Exercise in Consciousness 
This view of design elevates it from mere craftsmanship to an exercise in the mind and spirit. Design is a mental activity that involves the intellect, intuition, and imagination. The intellectual side might include problem-solving, strategy, and logic, while intuition taps into the unconscious, often guiding designers towards solutions without fully understanding why. The imaginative dimension, however, allows for innovation, dreams, and novel approaches that transcend the constraints of conventional thinking. As such, design becomes a way of expanding consciousness—beyond the immediate and tangible to the expansive, abstract, and sometimes non-rational. 

Design in this sense symbolizes the "true 'i'," or the individual identity—more than the persona or the ego. It reflects the self, crafted through symbols, metaphors, and analogies that express the individual’s understanding of reality and their place within it. This is the core of design: it is the “imprint” of the self on the world, often in a form that communicates far beyond words. 

Design’s Reality and Imagination—An Exponential Process 
The idea that "design is far from imaginary, it is very real" suggests that the act of designing is not just a fanciful notion but a tangible and impactful process. The phrase "when multiplied by itself exponentially, 'i' creates what was first imagined to be real" highlights the power of iteration and expansion in design. What begins as a mere concept or imagination takes on substance through repetition and refinement. The more an idea is explored and expressed, the more “real” it becomes. Over time, as design progresses and becomes a part of the physical and cultural world, what was once abstract or conceptual "perishes into timelessness"—becoming embedded in the fabric of society, thought, and history. 

In this sense, design is not static but evolves continuously. Initially speculative and imaginative, it gradually enters the realm of the real, sometimes to the point of permanence or legacy. Even when it fades from immediate relevance, the underlying ideas persist, subtly shaping the course of human progress and understanding. 

Design’s Lateral Movement and the Role of Imagination 
The notion that design "moves laterally only because it is so imaginative" speaks to the expansive, non-linear nature of creativity. Imagination in design isn’t confined to a single trajectory or purpose; it wanders, explores, and connects disparate ideas. Lateral thinking—the ability to solve problems through indirect or creative means—often leads to breakthroughs. Design is not a straightforward path from point A to point B, but a journey across different perspectives, dimensions, and potential outcomes. This lateral movement creates diversity, novelty, and innovation, reflecting the limitless possibilities that imagination allows. 

The Role of the 'I' in Design 
The "i" here seems to symbolize both the self (the individual designer or observer) and the process of introspection or self-reflection. Imagination brings this "i" forward, highlighting the idea that we are not passive observers of the world, but active participants who shape our environment through conscious thought. The "i" also implies a level of awareness—design as a conscious act, not a random one. It is reflective of both the observer’s inner world and the external world, influenced by both duality (the self and the other) and unity (the alignment of intention and outcome). 

Imaginary Qualities in Design 
The section on "Imaginary Qualities" delves into the relationship between the real and the imagined, using mathematical metaphors to make deeper philosophical points about design. 
1. Cycle through a set of values / Always return to the first power 
Just like imaginary numbers in mathematics cycle back to their origin when squared (i.e., i2=−1i^2 = -1i2=−1), design concepts often return to their roots or foundational principles. Even as design evolves, it maintains a return to certain core ideas, values, or aesthetics. This cyclical nature suggests that design is not a one-way evolution but a process of constant revisiting and refinement. 
2. Imaginary numbers are real 
In mathematics, imaginary numbers are essential to understanding complex numbers and systems, even though they don't correspond to physical reality. In design, "imaginary" ideas or abstract concepts may initially appear intangible, but they are just as crucial as "real" design elements. Imagination gives rise to the foundation for much of what we experience in the material world. Thus, the imaginary is often the precursor to reality in design. 
3. When multiplied by itself, it returns to itself 
This speaks to the concept of self-referentiality in design. Once an idea is put into motion, it may loop back upon itself, like a recursive process, where each iteration deepens or clarifies the original concept. This self-referentiality is often seen in cyclical design practices (like iterative prototyping or design thinking), where feedback and refinement are continuous and essential to the outcome. 
4. Real numbers are used far less than imaginary ones 
This suggests that while tangible, practical solutions (real numbers) are important, the majority of design innovation comes from abstract or non-literal thinking (imaginary numbers). The imaginary elements—metaphor, intuition, and symbolism—often drive creative breakthroughs. 
5. Key to every design cycle 
Imaginary qualities are not just supplementary to design—they are integral. They inform the conceptualization, iteration, and evolution of design solutions. This idea reflects how much of design is based on theory, speculation, and abstract thought before it manifests in physical form. 
6. Exist in their own dimension/universe 
Imaginary elements of design have their own "space," independent of the physical world. In the design process, these ideas are often formulated in a mental or conceptual space, one that does not necessarily adhere to the limitations of the real world. This dimension allows for freedom, fluidity, and boundless potential, enabling new ideas to emerge that eventually impact the real world. 

Conclusion: The overall message here suggests that design is not just about creating objects or systems; it is about translating inner thoughts, abstract concepts, and symbols into a form that can influence the world. It blends imagination, intellect, and intuition to construct a reality that is both real and imagined. Through this lens, design is a philosophical and creative process that mirrors both the inner workings of the self and the unfolding of external reality. 

This expanded reflection encourages us to reconsider design as not just an act of making but as a deeply intellectual and transformative act—one that shapes and is shaped by the continuous interaction between imagination and reality. 

The author generated this text in part with GPT-3, OpenAI’s large-scale language-generation model. Upon generating draft language, the author reviewed, edited, and revised the language to their own liking and takes ultimate responsibility for the content of this publication.

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"To believe is to accept another's truth.
To know is your own creation."
Anonymous


Edited: 01.05.2023, 01.10.2023, 02.11.2023, 03.17.2023, 04.29.2023, 06.19.2023, 09.21.2023, 11.02.2023, 05.05.2025

Find your truth. Know you mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post as long as the author and URL is included as the resource and shared on a non-commercial no charge basis. Please note: posts are continually being edited © 2023 C. G. Garant. 











Sunday, November 13, 2022

Creative Source


Conceptual impressions surrounding this post are yet to be substantiated, corroborated, confirmed or woven into a larger argument, context or network.

Begin within the quantum field of virtual potential and probability (QFVPP).

What is the quantum field of virtual potential and probability (QFVPP)?
The quantum field of virtual potential and probability is a virtual field of energy, light and information made conscious, aware and apparent by means of symbolic representation (design). The QFVPP is characterized in the relative "form" of a particle, wave and/or force, i.e. impression.

An event horizon can be found at the center of every toroidal formation of energy. This center "point" appears to be located within a vector stream of energy about which is created a magnetic field. This central stream consists of a number of twisting micro filaments of complementary quality. Likened to the twists of twine that together form a rope, jointly these micro streams twist by virtue of a subtle attraction between them. (see DNA) In combination they form a major stream of energy (electric) about which a magnetic field is created. 

It must be noted that the concept of "linearity" has no bounds or limitations concerning its "length". Meaning, examples of the shortest unit of measurement, i.e. the Planck Length, can still exhibit the characteristics of a linear projection as described above. Linear forces may be a foot, a mile or a thousand light years long, they all possess the same potential for the generation and re-generation of a multitude of formations about the concepts of energy in motion (see Birkeland currents). Instrumental to the success of these toroidal forms are fields of relative "matter", e.g. molecular, atomic, plasmic, ethereal, etc. that together create the "context" in which these events occur. Typically these grosser fields of energy are attracted to the vibrations/waves of the winding vectors surrounding the electric stream/charge. This relationship is fundamental to the creative drive to formulate energy in motion no matter what its context, size or magnitude.

One last note. It would be correct in saying that a Designed Presence and/or Unity in the form of an Intelligence supporting all forms of energy, light and information is a mindful realization purposely integrated/programmed into the concept of self awareness/consciousness via our DNA.  The subtle realization of there being a Designed Presence in all things is not at all inappropriate, but a highly refined understanding of what we subconsciously feel to be real.


This stream of columnar energy is both attracted and repulsed by a central point of unity located within the "event horizon". In other words, the event horizon is the trailing feature of a bundle of energy waves oscillating between being both attracted and repulsed about a neutral core within a quantum field of virtual potential. Central to these streams of energy in motion are a series of neutral projections/vectors at its "central core". These points of energy (vectors) move in reference to the context in which an event might be observed, perceived and/or "materialized"

Micro contexts influence macro formations of energy in motion, ad infinitum, ex. DNA/consciousness/awareness.

Micro events, from which macro contexts are observed, will "at times" surface from within the context of the QFVPP.  Influences in the form of a "charge"(+, -) determine the creation of a wide variety of formative fields of density made apparent though changes in features and attributes. Presented within a cacophony of discordant frequencies, i.e. the QFVPP, direction, focus and pattern are determined by means adhering to a design process, aka intentions being made manifest within the context of perpetual change. 

Intention creates the impetus behind every design. Symbolic projections in the form of an "electric" stream of energy in motion, create a field of attraction (magnetic) about the meaning and a purpose surrounding an intent.  In order to bring balance to this circumstance a variety of patterns and forms of energy in motion (ideas) emerge from what appears to be the unknown. 

 




Life is in perpetual motion, always changing and adapting within the context of its own presence. Life's intentions are uniquely directed towards the "materialization" of a series of hidden attractions. All impulses are cast into a mystery that is always changing in reference to the consciousness of an observer. In reference to humanity anything not sensed, perceived, observed, measured, comprehended, imagined or mainly felt cannot be included in the description and/or definition of Reality.  

Each of these palpitating impressions (intentions) propagate an energy wave form, i.e. a light, upon the observational context in which an event or experience is made apparent. Each idea takes on a relative form which displays its own a unique position in 3d space/time and the QFVPP. Within every formation of Light, i.e. consciousness, there can be found a streaming central core of creativity, an electric Life force readily adapting to every context made apparent by virtue of its own Presence. 

The concept of the soul partially appears before our consciousness as an elaborate mix of both intelligence and emotion, i.e. feeling. Wrapped into identifiable bundles of character and energy we intuitively describe this awareness by virtue of our feelings. The soul provides unthinkable and unimaginable awareness, guidance and support based upon purposeful and meaningful experiences directed towards a joyful Life. 

The soul presents itself as another form and means of awareness meant to symbolically sense, observe, comprehend, measure, imagine and "feel" both the known and the unknown. The soul resonates to and within itself by means of design in the forms of metaphor and analogy. The soul represents just one side of an androgynous and multidimensional coin. 


Reality (Life) can feel fulfilled by pursuing the gifts attainable through coherent resonance, i.e. the soular attraction, amplification and expansion of consciousness by means of design.

amplification:     1 the process of increasing the volume of sound, especially using an amplifier:      the action of increasing the amplitude of an electrical signal or other oscillation:       the action of making something more marked or intense:       2 the action of enlarging upon or adding detail to a story or statement: .      3 Genetics the action of making multiple copies of a gene or DNA sequence:

Life might be virtually described as a contextual field (spacetime) of our own design to which we alone are attracted. This multidimensional context harbors both the potential and probability of filling our hearts with joy and happiness ... if that is our intention, choice and desire. We symbolically design, create and assimilate to that which we ourselves resonate.

To change means to flow, one quality merging, matching and mating with another in a conditioned state of Oneness. All change describes this singularity being as one in the same "form of beingness". Change as energy is constantly motioning to and resonates from one form of stasis to another based upon attraction. Balance is key. 

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Tiny electrical vortexes bridge the gap between ferroelectric and ferromagnetic materials by University of Warwick 
"Ferromagnetic materials have a self-generating magnetic field, ferroelectric materials generate their own electrical field. Although electric and magnetic fields are related, physics tells us that they are very different classes of material. Now the discovery by University of Warwick-led scientists of a complex electrical 'vortex'-like pattern that mirrors its magnetic counterpart suggests that they could actually be two sides of the same coin. 

Lead author Professor Marin Alexe of the University of Warwick Department of Physics said: "If you look at how these characteristics scale down, the difference between ferromagnetism and ferroelectricity becomes less and less important. It might be that they will merge at some point in one unique material. This could be artificial and combine very small ferromagnets and ferroelectrics to take advantage of these topological features. It's very clear to me that we are at the tip of the iceberg as far as where this research is going to go." 

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I believe the field of design metaphysics is flagrantly  apparent and unwittingly revealed in the efforts that give rise and precedence to a scientific paradigm. I believe certain design "attributes" are symbolically veiled in all our perceptions and observations

In reference to pursuing this supposition I have pointed out and commented upon certain circumstances, events and revelations reflecting upon this hypothesis. In turn, I hope to reveal the intimate relationship that exists between the scientific method and the field of design metaphysics.

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You are an active participant in every creation. You are a creative observer discovering you own self-truths during the process of designing. Thought naturally thinks thoughts in conjunction with feeling. Feeling brings change, emotion categorizes it. Emotions form symbolic boundaries typically fixed and conditioned by outside forces, e.g. culture, language, place, situation, circumstances. Emotions are meant to be fixed and at times are thought to be your own. 
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by Edd Gent, Margo Anderson July 19, 2023

"The deterministic way in which conventional computers operate is not well-suite with dealing with the uncertainty and randomness found in many physical processes and complex systems. Probabilistic computing promises to provide a more natural way to solve these kinds of problems by building processors out of components that behave randomly themselves.

The approach is particularly well-suited to complicated optimization problems with many possible solutions or to doing machine learning on very large and incomplete datasets where uncertainty is an issue."
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Thoughts together with feelings allow you to seriously ponder upon the potential and probabilities behind every choice.  

The mere act of perception and observation describes the subconscious desire to symbolically link all events into meaningful and purposeful experiences.

Space and time separate things. Design invites unity.
unity: union, unification, amalgamation, coalition, federation, harmony, accord, concord, cooperation, collaboration, agreement, unanimity, consensus, assent, concert, togetherness, solidarity, peace, synthesis, oneness, singleness, entity, integrity, cohesion, coherence, congruity, identity



"To believe is to accept another's truth. 
To know is your own creation."
Anonymous

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Edited: 11.13.2022, 02.11.2023, 02.26.2023, 04.21.2023, 04.29.2023, 06.19.2023, 07.29.2023, 08.09.2023, 08.18.2023, 12.09.2023
Find you truth. know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self mastery. You may share this post as long as author and URL https://designmetaphysics.blogspot.com/ is included as the source and shared on a non-commercial no charge basis. Please note ... posts are continually being edited. Copyright © 2023 C.G. Garant. You are invited to visit https://designconsciousness.blogspot.com/ and https://sagariandesignnetwork.blogspot.com, and https://www.pinterest.com. AI usage prohibited.